Jan 022022
 

Brooks Blevins discussing the third volume of his trilogy, A History of the Ozarks, Dec. 13 at The Library Center in Springfield.

Brooks Blevins finds it endlessly fascinating why a modest uplift in the center of America is believed to be the homeland of a race of slack-jawed yokels in spite of compelling demographic evidence it is inhabited by a populace not dissimilar to those of surrounding states. Fans of Dr. Blevins will find in Volume 3 of A History of the Ozarks: The Ozarkers a definitive answer to that paradox and a good guess as to the durability of that region’s hillbilly identity. Given the long literary origins of the trope it seems unlikely associating the Ozark hills with old timey ways will completely die out even though the place is in a rebranding phase.

Professor Blevins is more familiar with popular culture than many historians—and more respectful of its influence. His lively writing style is animated by these cultural conflicts. He points out a year before Alice Walton’s (of Walmart) toney art museum opened, a violent meth film set in the Ozarks premiered: “The fact that the movie Winter’s Bone dominated national perceptions of the Ozarks during the year and a half preceding the opening of Crystal Bridges made the museum’s premiere that much more jarring and its impact on the region’s image that much more transformative … But the twenty-first century has certainly sparked a reimagining of the Ozarks and Ozarkers. It was inevitable that at some point the reality of life in the Ozarks would stray so far from the region’s stubborn image that the dissonance would be impossible to ignore.”

His two earlier volumes are solid reconstructions of the place’s past. Volume 3 brilliantly shows how legend and myth infiltrate our perceptions of the past. Such stereotyping displeases the business community but is a gift to novelists, folklorists, and souvenir makers. The hillbilly was once a tourist icon—and to some degree may still be in spite of greater sensitivity to negative regional profiling. Another reasoned, well researched, and fun read from Missouri State University Professor Blevins.

 

A History of the Ozarks: The Ozarkers is available at the University of Illinois Press or on amazon

 

Jun 272017
 

Real photo postcard by Hall. Probably taken in Stone County, Missouri, but Arkansas sounded more primitive. The hog’s board collar is to keep it out of fenced gardens. Cattle and hogs were released in the woods to feed themselves. The destructive rooting of feral pigs was, and still is, an environmental problem.

Though the hillbilly icon didn’t emerge for several decades, the Ozarks has been depicted as a primitive place inhabited by people living a pioneer lifestyle since the early 1800s. This mythos was rejected by progressive Springfieldians, but in Galena, and the White River Hills, it was a component of tourism.

Arkansas was held to be slightly more regressive than southern Missouri but only slightly so.

(Page 72 in the forthcoming book, James Fork of the White: Transformation of an Ozark River.)