Oct 012024
 

              Real photo postcard. Entrance to Meramec Cave in Stanton, Missouri. Probably 1930s

Caves have been inhabited and served as the stage for mythological tales in most cultures, past and present. Indigenous peoples used Missouri’s numerous caves for shelter long before Europeans arrived. For a century and a half after that, it was mined for saltpeter (potassium nitrate, which is used in the manufacture of fireworks, fluxes, gunpowder, etc.), and was even named “Saltpeter Cave.” By the time this photo was taken Meramec Cave had a well-known history.

After the Civil War, local residents found more genial uses for the cavernous space like celebrations, music events, and “cave parties.” In 1933, Lester Dill bought the cave and turned his marketing talents to its promotion. His billboards still dot our highways. But more significant to the evolution of tourism, Les is credited with the invention of the bumper sticker. While visitors toured the cave, Dill sent “bumper sign boysinto the parking lot to tie (no stick-‘em or glue those days) Meramec Caverns bumper signs on their cars. He got free advertising; visitors had another souvenir.

The Corps of Engineers had ambitious plans for the Meramec River and its surrounding landscape:

“A fifty-one-page booklet published in 1966 by the University of Missouri Extension Division summarized the master plan the Corps and other state and federal groups had to take over the entire Meramec basin.

In 1949, they undertook an ambitious planning process to build three reservoirs in the Meramec basin. They invited fourteen other state and federal agencies to participate in a grandiose improve­ment scheme. By 1965, they proposed thirty-one reservoirs, small, medium, and large, that would transform the region into a land of lakes and a motorboat paradise.”

Lawsuits were filed. The public was alerted:

“Don Rembach and Roger Pryor and other cavers and geologists brought out the fact the dam was not only built on a fault, it was in such a karst area it might not hold water. Mr. St. Louis Zoo and national TV star, Marlon Perkins, made a short film of floating the beautiful Meramec that was shown in movie theaters in St. Louis. Folk singer Tom Shipley wrote a protest song:

Well the generals laugh and the generals gloat /
but the people of Missouri, well they never got a vote /
they’re putting up a dam and we’re putting up a fight /
on the banks of the Meramec.”

Quoted from Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir.

The original postcard is now in the Payton Ozarks Collection of the Ozarks Studies Institute at Missouri State University.

Nov 082018
 

Real photo postcard, circa 1930. Lovers Leap Meramec Caverns © L.L. Coon, Milwaukee, Wis.

In researching Lover’s Leaps we sometimes find images that are identified as a Lover’s Leap, but we have been unable to find their stories. This is the case with excellent real photo postcard inscribed, “Lovers Leap Meramec Caverns.“ Despite much searching (internet and newspaper archives), we’ve only located one reference. An article in the St. Louis Post Dispatch of July 18, 1976, “Fanfare of a Caveman—Lester Dill” is the sole text we found:

“In the course of the conversation, Dill took his visitor for a stroll in the cave and around the grounds down by the river and even took a short boat ride at a concession there. As the boat when up the river, Dill pointed out places of interest. ‘That’s Fife ford, where the James gang used to cross,’ or ‘Daniel Boone hunted in this country when he was an old man,’ or ‘that bluff up there is where Flying Eagle jumped to his death because he couldn’t marry his sweetheart.’ A listener said, ‘you’ve even got a lover’s leap here, too’ and Dill said, ‘sure. Right there.’”

Dill was the owner and developer of Meramec Caverns. This is an unusual variation on the standard story. Most solo dives off bluffs are by unhappy maidens. Most often, it’s the maiden alone or, occasionally, the couple together.

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