Professor Blevins is more familiar with popular culture than many historians—and more respectful of its influence. His lively writing style is animated by these cultural conflicts. He points out a year before Alice Walton’s (of Walmart) toney art museum opened, a violent meth film set in the Ozarks premiered: “The fact that the movie Winter’s Bone dominated national perceptions of the Ozarks during the year and a half preceding the opening of Crystal Bridges made the museum’s premiere that much more jarring and its impact on the region’s image that much more transformative … But the twenty-first century has certainly sparked a reimagining of the Ozarks and Ozarkers. It was inevitable that at some point the reality of life in the Ozarks would stray so far from the region’s stubborn image that the dissonance would be impossible to ignore.”
His two earlier volumes are solid reconstructions of the place’s past. Volume 3 brilliantly shows how legend and myth infiltrate our perceptions of the past. Such stereotyping displeases the business community but is a gift to novelists, folklorists, and souvenir makers. The hillbilly was once a tourist icon—and to some degree may still be in spite of greater sensitivity to negative regional profiling. Another reasoned, well researched, and fun read from Missouri State University Professor Blevins.
A History of the Ozarks: The Ozarkers is available at the University of Illinois Press or on amazon