Aug 072025
 

Ha Ha Tonka castle (upper right corner) seen from the banks of the spring branch. Photograph likely pre-1910.

The fanciful Indian name of the spring below the bluff is attributed to Col. R. G. Scott who came from Iowa to the Ozarks in the 1890s and partnered with R. D. Kelly to acquire the land around Gunter Spring. Col. Scott published the first article extolling Ha Ha Tonka’s natural wonders in an 1898 issue of Carter’s Magazine. In it he claimed the name is Osage for “Laughing Water.”

We don’t know the name of the photographer of this arty picture of the spring branch at Ha Ha Tonka with the young man (or possibly a young woman – what do you think?) gazing across the spring branch below the castle on the bluff, but we’re guessing its builder, Robert M. Snyder, commissioned the shot. (Snyder acquired the spring and lands from Col. Scott). If that’s so, we can date it before October 1906 when the Kansas City millionaire died in a freak car accident. “Robert M. Snyder has brains dashed out against an iron trolley pole,” wrote the Springfield News-Leader. (When did that kind of descriptive writing disappear from journalism?)

Most accounts of his death mention his “boodling” (bribery) problems. At trial he had been sentenced to five years. On appeal the court ordered a new trial, but prosecutors failed to pursue it. Surviving him were his widow and three sons. Not long before, another son had been murdered in Oregon where he was a suspect in a bank robbery. That son had already done time for highway robbery.

The spectacle of the unfinished castle inspired The Kansas City Journal to wax poetic in a 1907 article entitled, “HIS BARONIAL ESTATE: Wrecking of R. M. Snyder’s Ambition to Live in Splendor as a Feudal Lord.” It begins: “A pathetic monument to one man’s unachieved ambition is an unfinished baronial castle on the north slope of the Ozarks.”

Lake of the Ozarks backed up into the trout-stocked spring branch below the castle. The three sons unsuccessfully sued Union Electric, the builder of Bagnell Dam, for damages for their lost trout lake. Snyder’s boys finally finished the great stone mansion, and it functioned for a short time as a hotel before being destroyed by fire in 1942.

Five thousand acres of wild, undeveloped land the castle sits on was purchased by the state of Missouri in 1978 and made a state park. It’s an extreme example of karst topography, which includes the great spring, caves, sinkholes and a natural bridge, making it popular with hikers. The ruins of Snyder’s castle are now a tourist draw. An attempt to architecturally stabilize the gaunt walls was made in the 1980s, but access is limited now due to continued deterioration. Signage tells the tragic tale of the unlucky “boodler” at an observation point near the park’s office.

Vintage Images is a column we provide to River Hills Traveler, a monthly publication on the Missouri outdoors.  Lens & Pen Press publishes all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image,” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid. Click on Buy our Books

Jul 252025
 

Throughout the United States are scenic spots where subterranean waters surface. Attaching “mystic” to the place name is not uncommon and evokes their poetic charm. Eureka Springs, Arkansas has two. This detailed cabinet photograph, circa 1900, by the local photographic firm, shows one of the springs still in its natural state. The second spring, Mystic Blue Springs (not illustrated) today is a deep pool enclosed by a concrete circle. It’s often just called Blue Springs.

Eureka Springs is an authentic Victorian village built on the sides of some of the Arkansas Ozarks steepest real estate. One hundred years ago nattily attired ladies and gentlemen strolled miles of winding paths, pausing to sip the waters of the various springs. Each was held to have singular medical properties.

The myth that spring water would cure cancer or gout has long been debunked but fanciful geologic and aboriginal histories remain about the place. In a Nov. 19, 1959, feature The Helena Daily (Ark) Daily World advanced the absurd theory that the spring waters of Eureka come from the glaciers of the Pacific Northwest in Canada. In that same article, Indian hieroglyphics carved in the limestone ledges of Eureka were said to describe visits from Desoto and Daniel Boone. Mythology aside the article ends with a paragraph that does justice to the continued attraction of the area:

As one walks about in this colorful wonderland, the silence of the woods predominates all conversation. A restful contentment prevails in this, the first home of the Ozark Indian. Here it is easy to know: “nothing in nature is altogether separate, the cooperation and attitude of the woodlands desires a complete pattern of loveliness.”

Vintage Images is a column we provide to River Hills Traveler, a monthly publication.  Lens & Pen Press publishes all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image,” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid. Click on Buy our Books

Jul 082025
 

Each spring in the vicinity of Eureka was held to have a particular medicinal power. Eureka Springs called itself “The City that Water Built.”

EUREKA SPRINGS PROMISED ITS SPRINGS HAD HEALING PROPERTIES

No rusticated place this. Improbably built into the side of some of the Ozarks’ steepest real estate is an authentic Victorian village. One hundred years ago, nattily attired ladies and gentlemen strolled miles of winding paths along hand-cut stone wall, pausing to sip the waters of the various springs. … “The city of healing waters—there’s health in every glass,” was only one of many taglines for the city’s promotional literature. Stories of the diseases cured by Eureka’s springs fall flat now, but the boasts of the place’s overall attractiveness hold up. As one brochure proclaimed:

“The lure of the Ozarks and the all-year charm of Eureka Springs as a place of restful enjoyment is not alone for those who journey in the quest of health. The country surrounding Eureka Springs is a great shaded park and playground, a land of hills and valleys arched with translucent blue on its many cloudless days.” (See the Ozarks, p. 14)

Twenty-first-century tourists are considerably more casually dressed than these two gents. Few today (we hope) believe the spring waters will cure anything but the thirst that comes from touring “the stair step town” on foot.

Vintage Ozarks is a feature we provide to River Hills Traveler, a monthly publication. Lens & Pen Press publishes all color books on the Ozarks, especially its rivers. This image is taken from See the Ozarks: The Touristic Image. This hardback, all-color book on early tourism in our region is sale priced at $22.50, postage paid.  Order the book by clicking on the “Buy our Books” tab.

Jun 282025
 

Specialty crops like strawberries, apples and tomatoes, where produced in the hilly Ozarks. As early as the 1870s the rail corporations promoted the region as “the Land of Big Red Apples.”

Sportsmen and vacationers were not the only groups invited to come and see the Ozarks. The Frisco Line’s full-page ad in a 1912 Washington, DC, Star Sunday Magazine asked, “why don’t you take your family to live in the beautiful Ozarks?  A small farm in the Ozarks is the opportunity you need. Think what a wholesome, healthy life it would mean for your children. You can get a small place near good towns, and good schools, as low as $10 per acre.”

Laura Ingalls Wilder, author of the Little House books, and her husband Almanzo were typical of these late nineteenth- and early twentieth-century settlers. She and Manny bought their farm, Rocky Ridge, near Mansfield in 1894. They practiced progressive farming and she wrote her classic books on pioneer family life.

Through the decades, Ozarks promotional material often mixed appeals to both vacationers and would-be immigrants. Visitors today are seen as potential buyers of condos or second homes. After a lifetime as summer visitors, many people come to live in the region when they retire. Others, who spent their childhood in the Ozarks and their working lives in faraway cities, often return to their roots.

Vintage Ozarks is a feature we provide to the monthly publication, River Hills Traveler. Our company, Lens & Pen Press, publishes all color books on the Ozarks. This image is taken from See the Ozarks: The Touristic Image. The hardback, all-color book on early tourism in our region is sale priced at $22.50, postage paid.  Click on Buy our books .

Jun 192025
 

“Shorty, as everyone called him, was born October 7, 1901,” read the 1965 obituary of Clifford Wilkinson. It mentions his string band called “Shorty Wilks and his Jolly Ranch Hands.” For his day job, he operated a confectionary in Sullivan, Missouri.

We’ve seen “Shorty” identified in one photo as the tall bass player, but in another shot the same gent is holding a fiddle. Calling tall folks “Shorty” wasn’t uncommon and was thought amusing. In his Oct. 28, 1965, obituary in the Tri-County News (Sullivan Missouri), “Shorty” is identified as Clifford Wilkinson. In addition to heading up a string band that played on numerous radio stations and played for dances, he operated a confectionery in Sullivan. He died suddenly at the age of 63 years, 11 months and 26 days.

A Christmas postcard of the Jolly Ranch Hands without the dancers was inherited by Dr. Kenneth Johnson whose mother managed Baecker’s Place, a dance hall just south of Morrison, a village in Gasconade County. Johnson, now a professor at Lindenwood University in St. Charles, grew up in a bedroom “separated from the dance hall by only a thin wall” and recalled falling asleep every Saturday night to the sound of country music. His mother couldn’t recall anything about the band except they hailed from Sullivan. Some on that town’s Chamber of Commerce gave him leads and Dr. Johnson began a quest to identify other groups that played dances at Baecker’s. To his amazement small town Ozark newspapers were full of ads promoting both country and even small/big bands who played VFWs, Grange Halls, and even floored barns.

In addition to the newspaper ads, he discovered a fantastic pictorial history of live music in rural Missouri. The bands all had professional photographs taken for publicity. Johnson collected several hundred and tracked down the few surviving musicians and relatives who identified the performers. A well-produced book, Moonlight Serenade to City Lights: Rare Images of Bands and Orchestras from the Dance Hall Era in Missouri, was published by Reedy Press (2014) from his research. Copies are available from the Gasconade Historical Society for $35.

Most of the images are from the 1940s and ‘50s. The names of the groups capture that era’s ambivalence about identifying commercial country music with the word ‘hillbilly’. Many of the band members dressed in Western togs and added to the leader’s name “ranch hand,” “rambler,” or “rhythm boys.” There were defiant exceptions—”Pappy Cheshire and His Hillbilly Band,” “Missouri Bob and His Hillbilly Pals.” What chord long time KMOX performer Roy Queen and his Brush Apes hoped to strike in listeners is unknown. Roy built a venue near Warrenton that hosted many well-known country performers.

Like the Fredericksburg Military Band, posted earlier, these live dance bands have disappeared from the rural Missouri scene. Its repertoire may have come from commercially printed music or, in the case of the country-western bands, learned from phonograph records. Both genres had a near-folky culture and sound compared to the canned, corporately controlled music that followed. A poignant movie in the mold of The Last Picture Show or Paper Moon could be made centered around the closing of a rural dance hall or the final ice cream social concert of a small-town military band.

A few of the more talented musicians ended up in Hollywood or Nashville. Lawrence Welk’s celebrated South Dakota-born accordionist, Myron Floren, played for a spell with The Buckeye Four and the Shady Valley Gang, a St. Louis countrified group who played regional dances and had a KWK radio show.

Vintage Images is a column we provide to River Hills Traveler, a monthly publication.  Lens & Pen Press publishes all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image,” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid. Click on Buy our Books

Jun 062025
 

1931 issue of Where to go in the Ozarks by Keith McCanse, subtitled “The Book of the Ozarks.” 138 pages chock full of ads. Includes establishments on the new Lake of the Ozarks. Also includes excellent maps. “Outside the realm of ordinary vacation literature, this publication … serves you with actual, definite facts without exaggeration.”

Keith McCanse’s Scotch-Irish family settled in the Ozarks in the 1840s. His father, George, co-founded a bank and was a true believer in Republican politics. He took his son numerous times on the legendary Galena-to-Branson float trip.

After a stint as a stockbroker in Kansas City, Keith moved his family to Taney County due to touchy health issues. He fished and hunted and became active in organizations like the Isaac Walton League dedicated to the preservation of natural resources. In 1921 he became a game warden and gave talks on the value of protecting wildlife. In 1925, Governor Sam A. Baker appointed him commissioner of Missouri’s Game and Fish Department.

Having expertise in accounting and banking he remade the department, appointing more than 100 deputies, and producing movies and appearing on radio advancing the “gospel of conservation.” McCanse transformed the good-ole-boy political sinecure into a meritocracy, staffed by trained biologists. He increased revenue, grew the state park system from four to fourteen, and fish hatcheries from two to seven. Missouri Game & Fish News was expanded and improved. It became the template for the exemplary Missouri Conservationist magazine.

In 1929, lured by an offer that doubled his salary, he took a job with KMDX, St. Louis. He promoted tourism for the Ozarks, linking it to valuing the native landscape and its fauna. He worked with the Ozark Playgrounds Association and began producing a similar travel guide to theirs listing more than 1,000 places to “fish, camp, tour, play, and rest.” The guides cost fifty cents. Even with the support of the Sinclair Automobile Service Corporation and ads from every resort, town, and village in the region or near to it, given the work involved, Where to Go in the Ozarks probably wasn’t profitable.

Like many, McCanse invested in land near Sunrise Beach on the shores of the new Lake of the Ozarks. The crash of 1929 and the Depression caused the tourism industry to go flat for more than a decade.

Keith McCanse ran unsuccessfully for Lieutenant Governor in 1932. He moved to Texas soon after and became involved in real estate promotion and Republican politics. We don’t know the extent of his involvement with conservation after he left Missouri. His role in the creation of a natural image of the Ozarks was significant. He died in 1964.

Vintage Images is a column we provide to River Hills Traveler, a monthly publication.  Lens & Pen Press publishes all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image,” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid. Click on Buy our Books

May 212025
 

The decorative cardboard mat has the embossed name Schuster Studio, Hermann, Mo. Martin Anthony Schuster was born in 1871, was a veteran of the Spanish-American War, and a widely known photographer in the Hermann area. He opened a studio there on Schiller St. in 1910. The first ad we could find for the studio noted that as well as portraiture, they offered film development and printing.

How does a marching brass band cross an unbridged Ozark river? On a cable-driven ferry, of course. This sharp focus cabinet photograph preserves the record of a lost musical tradition and a vanished transportation technology. In its entry about Fredericksburg, the Gasconade Historical Society documents the population of the tiny village in 1879 population at 40. It likely never much exceeded that.

Throughout much of the 20th century the ferry permitted crossing that bridgeless section of the Gasconade River. Originally the little barge was propelled by oars, then a cable system was followed by an outboard motor, and finally an electric motor. In the mid-20th century, a bridge at last rendered it obsolete. Both the ferry and the band survived long after their prime.

The brass band posed on the ferry was organized in 1902. An ad in the May 29, 1953, Advertiser-Courier of Hermann Missouri announced an upcoming performance:

Ice Cream

SOCIAL

St. Peter’s E. & R. Church

Fredericksburg, Mo.

Saturday, June 6,

6 p.m.

Sandwiches and Refreshments

Music by Fredericksburg Military Band

Welcome Everybody

Following the Fredericksburg band promo was the announcement that music by the Charlotte Cornet Band (an even smaller community than Fredericksburg) would be provided for an ice cream social at the Salem Presby Church at Holt, Mo. That the northeast corner of the Ozarks was heavily settled by German immigrants explains how a tiny village could supply five trombone players, four cornet players and several other wind instruments. Most Ozark highland pioneers were of Scots Irish heritage and favored stringed instruments and the ballad tradition of the British Isles.

Vintage Images is a column we provide to the monthly publication, River Hills Traveler. This photograph, along with hundreds more, are among our collection now housed at Missouri State University Libraries-Ozarks Studies Institute.

Apr 222025
 

On the back of this circa 1920, sharp and nicely composed real photo postcard is written in script: “Scene at Sugar Creek, Mo. George watching the fish.” The card is stamped, “O. C. Kuehn, Photo. St. Louis, Mo.”

Oscar C. Kuehn (1877-1949) was an enthusiastic amateur photographer, and an “ardent camera devotee,” who exhibited his characteristically corny posed shots of cute kids and dogs and a gnarled old timer strumming a guitar. This may have been a family snapshot as it has a more authentic look than his more standard posed pictures. He served as president of the St. Louis Camera Club in the 1920s. That he was a well-known amateur photographer in St. Louis leads us to believe this image was taken at the Sugar Creek running through Kirkwood in southwest St. Louis. It shows a typical headwaters Ozarkian stream.

As we all know, the boundaries of the Ozark Plateau have been subject of much discussion. Per Missouri State University Libraries Notes, July 2023: “The boundaries of the Ozark region always have been open to debate and discussion. Most previous maps of the Ozarks tended to use bold, solid lines as a border for the region. The new map uses a hashed line to indicate that the boundaries are a bit murky and fluid.”

By most maps, St. Louis lies just beyond the northeast edge of the Ozarks. However, the more permeable edges of this newest map could include this watershed. Recent news (well, 2018) from the Webster-Kirkwood Times describes it as: “Sugar Creek Valley in Kirkwood has been called a wildflower haven, painters’ paradise and architects’ alley.” And neighborhood residents had organized a “Save Sugar Creek” group to resist development to keep their stream clean.

Start Googling around the internet and you’ll find several other Sugar Creeks in Missouri. One in Adair County, near Kirksville, and of course Big Sugar Creek State Park in McDonald County. Big Sugar Creek is a tributary of the Elk River, whose watershed drains south into the Arkansas River Basin. The state park features a variety of plants and animals that are less common or absent farther into Missouri. Begun in 1992 with 640 acres of land, it now comprises more than 2,000 acres. MDC notes the park is still in development stage, so check their website for more information before heading to it.

Vintage Images is a column we provide to River Hills Traveler, a monthly publication.  Lens & Pen Press publishes all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image,” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid. Click on Buy our Books

Apr 012025
 

HAPPY APRIL FOOL’S DAY!

This humorous real photo postcard – FISHING FOR ROCK TROUT – seems an appropriate post for April Fool’s Day!

There is considerable writing on this 1910 real photo postcard, but we are left guessing about its exact meaning. Along the top is scribbled in ink, “Uncle Bill Tracy.” More legibly in white is “Davis Phots” inscribed on a beam supporting the bridge behind him. Also, in white along the beam is “OUT OZARKS MTNS Fishing for Rock Trout.” Indeed, the nattily dressed gent has a stick with a line attached dangling down to some stones on the streambank. Other inscriptions are “Fish Point” and “Bate Date May 14th, 1910.” Perhaps these refer to some absurd event known only to Uncle Bill and the photographer. That still leaves us guessing about what stream this is. Without a location or some other information our Google search fell short.

It isn’t surprising there are jokes about Ozark angling. Sport fishing and hunting are pastimes that have the raw material of humor – men engaging in activities of little economic benefit while consuming intoxicating beverages. The Ozarks is famed for the sarcastic, self-effacing humor of its native. The hillbilly persona, drawn from its inhabitants’ lighthearted indifference to propriety, created its pop culture portrayal in the media. Legendary mountaineers may have been indifferent to game laws, but they relished being in nature, were skilled with rod and gun, and were valued guides for urban sportsmen.

Vintage Ozarks is a column we provide to River Hills Traveler monthly magazine. We are Leland and Crystal Payton at Lens & Pen Press, publishers of all-color books on the Ozarks. Our book, “See the Ozarks: The Touristic Image” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid

Mar 052025
 

The great spring that significantly increases the flow of the Niangua River attracted homesteaders in the 1830s. James and Ann Brice arrived from Illinois and purchased 400 acres and in 1837 constructed a watermill. Other pioneers settled nearby, and a community called Brice was created.

Another millwright, Peter Bennett, built a competing mill at the confluence of the spring branch and the Niangua. Somehow, Bennett’s name became attached to the spring which was then called Brice. Today, the Brice name is known only to historians and preserved in vintage photographs. The only relic of that early settlement is a frame church, which was protectively clad in stone in the 1950s.

Recreationalists have found the setting alluring since before the Civil War. In 1900 the Missouri Fish Commission released 40,000 mountain trout into the branch. Bennett Spring State Park became one of Missouri’s earliest state parks, when the spring and some surrounding land were purchased by the state for that purpose in 1924. Though evidence of its earliest settlement is scant, the park has numerous Arts and Crafts style stone structures, and several handsome bridges built during the Depression by the Civilian Conservation Corps (CCC).

Twelve miles of hiking trails wind through the wild and rugged surrounding terrain. A hatchery raises both brown and rainbow trout for release. The dawn of opening day of trout season attracts hundreds of anglers, including, often, the current governor. It’s a Missouri tradition. It’s also a spectacle, covered extensively by media.

Vintage Images is a column we provide to River Hills Traveler, a monthly magazine. We are Leland and Crystal Payton at Lens & Pen Press, publishers of all-color books on the Ozarks. “See the Ozarks: The Touristic Image” showcases many of the primary tourist destinations across the Ozarks. It is available for $22.50 (10% off retail), postage paid.