Nov 102020
 

On the front of the card is written “Scene in the Ozarks.” On the back is printed “Photo by Ayers, Neosho, Mo.”

On the cliff wall along a dirt road running along an unnamed Ozark river has been painted “Chesterfield Cigarettes.” At the end of the dirt road, you can barely make out an iron bridge spanning the river. Commercial graffiti like this is uncommon. Billboards sprang up in the 1930s along well-traveled highways but weren’t the kind of strenuous objections to debasing scenic views as there was back East. Occasionally, letters to the editor raised esthetic concerns but in New England states anti-billboard forces have gone farther, getting severe restrictions on outdoor advertising. The Federal Highway Beautification Act required states to maintain “effective control” of outdoor advertising, but even these rules are less restrictive than the regulations of Vermont and New Hampshire. Today, cliff faces like this are more likely to display spray-painted bad art and obscenities than product advertising.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

Oct 062020
 

Garber was a “flag stop” on the Missouri Pacific line, not far from Branson. The train would stop when there were railroad ties to pick up or deliveries for the post office, which also sold groceries, patent medicine, and tobacco. Old Matt and Aunt Molly (the Rosses) welcomed tourists and would sign postcards and entertain them with stories of the old days in the White River hills, even though they were themselves relatively recent arrivals themselves from back East.

This extremely sharp real photo postcard, circa 1918, has an X over the man with a hat and goatee on the far right. On the back is typed, “I saw Uncle Ike as we passed on the train He is exactly as this picture shows him. Near here is the wonderful cave, but something like 15 or 20 miles from Hollister.” The man with the X is not Uncle Ike in Harold Bell Wright’s novel. Across the front of the store is painted, “J.K. Ross General Store.”

The man on the porch with the X above him is in fact J. K. Ross, who was reputed to be Harold Bell Wright’s model for the title character of his melodramatic novel, which launched tourism in the Branson area. Uncle Ike, a minor character in the book, was said to be based on Levi Morrell, who also was accessible to tourists at his post office at Notch, about five miles from Garber. Levi was stockier than J.K. Ross and had a full beard. Wright spent seven summers in the Branson area but denied that he had explicitly based any characters on locals. Both Ross and Morrell, and many other locals, claimed the book’s characters as their own and enjoyed the notoriety. Many of their graves have both their Christian and their fictional names engraved on their tombstones.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Jul 072020
 

Real photo postcard, 1930s. Written on the postcard, “Looking down on Gasconade River from Portuguese Point. S-243.” Inevitably, photographs of the panoramic landscape contain a figure poised at the edge of the cliff.

There is a bluff called Portuguese Point overlooking the Gasconade River valley about eleven miles south of Dixon, Missouri. It has a splendid view, is easily reached, and photographers and artists, professional and amateur alike, exploit its graphic opportunities. The mystery is, what were the Portuguese doing in the Ozarks? We found a credible explanation in the KJPW’s Old Settlers Gazette, July 26, 1997, in an article by Gary Knehans. Apparently, John Anderson Smith immigrated to the Ozarks in 1858 and ended up in a fertile valley in a bend in the Gasconade. The pioneer had Cherokee blood and apparently, he and his children had Native American features. Fearing prejudice against Indians, he told his neighbors he was of Portuguese ancestry. Smith had a colorful life. Bushwhackers hung him but he survived somehow to die of dropsy in 1922. As he had voted twice for Henry Clay for President, his age was variously calculated at 110 or 116 years old. The article doesn’t cite any references but it’s an interesting and credible explanation.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Apr 262020
 

The Springfield News-Leader ran an intriguing article on paddlefish going over dams and surviving. Sadly, it didn’t mention that most are killed whether they go through the turbines or over the top in a flood. It’s common to see pieces of paddlefish below dams after they were sucked into turbines and chewed up. Our guess is one out of hundreds survive.

But it’s heartening to know that this incredible, giant prehistoric fish occasionally gets lucky. Corps of Engineers’ dams have contributed to their conceivably endangered future. While the adults thrive in reservoir pools, damming blocks access to their spawning grounds.

In our book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, the fate of the paddlefish occupies many pages. Truman Dam destroyed the best spawning grounds in the country. All the paddlefish in Missouri are hatchery-spawned and raised. We quoted a publication by the American Fisheries Society entitled, “The Paddlefish: Status, Management and Propagation” (1986):

Finally, a note of caution. Although techniques for producing and stocking paddlefish were presented in this symposium, we do not consider stocking to be an answer to habitat deterioration and management problems. These techniques were developed for special circumstances where stocking was the only way to maintain a population. Artificial propagation and stocking should not be used as a cure-all or substitute for wise or practical management. Trying to solve problems by treating symptoms is expensive and ineffective. In addition, stocking would affect the integrity of paddlefish gene pools and is ill-advised until we know a lot more about the genetics of this species.

The MICRA paddlefish-sturgeon committee issued a warning in 1998 that “the use of hatcheries to reduce population declines is not a substitute for solving the causes of declines.” In addition to genetic considerations, the paper listed six other problems with stocking,hatche of which “delaying habitat restoration” was the worst.

page 236, Damming the Osage

The Department of Conservation fisheries people are to be praised for keeping the paddlefish from vanishing from Missouri waters. It’s an expensive program and should there be a severe recession raising paddlefish might be defunded. MDC gets most of its money from a conservation sales tax. This largely bypasses political control. Some politicians wish to do away with this arrangement. It’s likely, should the state legislature control the MDC budget, urban interests might not be favorably disposed to maintaining the paddlefish-raising program. Paddlefish might be seen as expendable.

The fate of the paddlefish (or spoonbill) was central to a lawsuit to stop Truman Dam—which obviously failed. Our 304-page book, Damming the Osage, is available on amazon.com or this website at a discount, postage paid

Mar 112020
 

Powersite Dam, 1920s postcard. White River Art Station.

Real photo postcards were produced one at a time, usually by the photographer himself, which made them ideal for small regional markets; it also means they are less common today on the collector’s market. As Ozark tourism grew, entrepreneurs turned to producing printed postcards, which could be printed in large runs. After A.K. Bishop, an early producer of real photo postcards, died in 1925, his widow, Mrs. Grace Bishop, continued in the picture-postcard business. Her stock and trade were mechanically reproduced postcards. A photograph was hand-colored then reproduced as a lithograph to be printed by the thousands. Mrs. Bishop operated a store in Branson, the White River Art Station, and labeled her postcards with that name.

When a large flood inundated Branson in 1927 an article in the Stone County News Oracle (April 27), Galena, gave an indication of the scale of the printed postcard business. The article noted she had not suffered as much damage: “Possibly one who suffered the least in the form of ruined stock was Mrs. Grace Bishop of the White River Art Station.” She had placed her stock on high shelves and was able to enter the studio in a rowboat and retrieve her stock: “Mrs. Bishop says she has a hundred thousand picture cards on hand and two hundred thousand ordered. She is ready for summer any day she wants to come.”

An abundance of White River Art Station printed postcards are for sale on eBay and through postcard dealers throughout America for a few dollars. George Hall’s real photo postcards, however, are rarely for sale and can bring $60 to $200.

 

Lens & Pen books are available for purchase on this website on amazon.com and at Barnes & Noble. See sample pages from our new book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com

Feb 202020
 

Photographic print, 7” x 12” Unmarked but unmistakably Redings Mill.

There were actually two smaller early mills on Shoal Creek south of Joplin but the third mill was an impressive, multi-story structure of stone, burr and white oak, built in 1868 by John S. Reding. It burned on November 8, 1936, but its visual and historic influence survives. Before its demise, it was considered the most photographed structure in Southwest Missouri. There are many snapshots as well as postcards and professional photographs. This image is phenomenally detailed. Two women looking at boats below the dam give scale to the commanding building.

In the 1920s an extensive entertainment destination was developed, a resort with a swimming pool, golf course, and a hotel with a dining room to seat 150. A dance “palace” and casino opened in 1928. Of course, soon after, the Depression affected business. Two major fires hit the resort, one in 1932 and one in 1936 destroying the dance hall. The foreclosure sale in 1941 marked its official end.

Today, there is a village entity called Redings Mill, which is part of the Joplin area. Restaurants and services still attach Redings Mill to their name. Watermills were central to pioneer communities both economically and socially. That imprint is still alive today.


Lens & Pen books are available for purchase on this website on amazon.com and at Barnes & Noble. See sample pages from our new book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com

Feb 112020
 

Printed on back: “Views of White River Dam, Camp Ozark, by A. K. Bishop, Forsyth, Mo.” Written in pencil, “Taneycomo Dam, Ozarks, June–1912.” Real photo postcard.

Powersite Dam, originally called White River Dam, was built by the Ambursen Hydraulic Construction Company of Boston. It is a hollow cement-slab and buttress structure. As we wrote in James Fork of the White, “Powersite Dam was not architecturally blatantly industrial. The narrow, twenty mile-long lake it created became regarded as part of nature, indistinguishable from the free-flowing river it replaced.”

The dapper gents in the photo seem to find something hilarious about “Three toots of whistle means blasting.” Numerous similar real photo postcards were taken of the activities connected with building the dam; some large albums exist that have been put together from them. Allen Kitchel (A.K.) Bishop died in 1925, but his wife, Grace May (Lefler) Bishop, continued their postcard business in Branson under the name of the White River Art Company, selling primarily hand-tinted, colored views printed lithographically.

The construction phase brought in cash to the local economy and afterward boosted Branson and Hollister tourism. A village of shacks was constructed to house and service workers. Later Corps of Engineers’ dams took massive amounts of farmland and were more controversial.

 

Lens & Pen books are available on this website on amazon.com and at Barnes & Noble. Our most recent book is James Fork of the White: Transformation of an Ozark River.

See sample pages from our forthcoming book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com Available in February.

 

 

Dec 272019
 

Probably like a lot of others, when Kaitlyn McConnell’s Passport to the Ozarks arrived, I immediately checked to see if some of my ‘memorable places’ had made the cut. Lo and behold – Windyville is having something of a (small) revival. The store has been reinvigorated – 15 cent bologna sandwiches! And who knew the tiny village was a hotbed of paranormal interest – it’s haunted. Turn the page and here was the Y Bridge in Galena. a beauty of a structure, graceful, elegant and historic. Kaitlyn gives the significant details.

For years as we’ve prowled the region for research or gathering photos for our own projects, we’ve seen properties in decline and hoped for their restoration. Several of those stories – Greenfield Opera House, the Boots Motel, are told, with photographs of them in their refurbished glory.

Passports open doors to far away, exotic places and unusual experiences. With Kaitlyn’s “Passport”, we rediscover the place we thought we knew. Visitors to the area will hit the standard highlights, but this Passport will take them to some off the beaten track places and events (like the Oldfield Opry, McClurg Jam or Lamar’s Movie scene – how long has it been since you’ve been to a drive-in movie?) that will enliven, educate, and entertain. And to help you sate your appetite, Kaitlyn discovers restaurant specialties to defy your Fitbit’s rules.

Photographs are crisp and well framed. The text is concise, readable and so informative. Every location (61 in all) has its own story, photographs, and contact information. Passport to the Ozarks is available on the Ozarks Alive website: https://www.ozarksalive.com/product/passport-to-the-ozarks/

Books may also be purchased by sending a check to Ozarks Alive at P.O. Box 2004, Springfield, MO 65801.

The book is available for purchase at Cooky’s Cafe in Golden City, the Douglas County Herald in Ava and the Webster County Citizen in Seymour.

Dec 102019
 

The Dalton family has been prominent in Missouri history. In 1925, they gathered in front of Arnhold’s Mill, a favorite family vacation destination. Photo courtesy of Mary Anderson.

Sidna Poague Dalton, second from right, became a Missouri Supreme Court justice (1950-1965). He was also an amateur archaeologist who discovered a transitional Paleo-Indian projectile point, which is named for him (the Dalton Point). His wife Edna is on the back row; three of their four kids are also in the picture: Ruth Rusk Anderson, aka “Rusk”, Jane Dalton Hess and Jim Dalton. Sidna’s brother Sam, far left, owned Dalton Coal and Concrete. Lelia, their sister, married George Denman. Their sons, John and Jim, are in the front row. Jim went on to be Mayor of Nevada, Missouri – much later in life of course.

Before Bagnell Dam created Lake of the Ozarks, there were few tourist attractions in this region. Arnhold’s Mill was a commercial mill site certainly, but also an early fishing camp/resort on the Niangua River in Camden County not far from Ha Ha Tonka’s springs. In 1896, J. W. (Joshua Williams) Vincent, editor of the Linn Creek Reveille, published a history of Camden County he had compiled by interviewing early settlers. In it he stated: “The Arnhold Mill, probably the most noted in the county, was founded in 1833 by a man named Kieth.”

George and Dorotha Arnhold, German immigrants, bought what by then was called Cleman Mill in 1878. Its scenic location, abundant game, good fishing and congenial owners attracted sportsmen from across the state. Eventually, cabins were built on the nearby hills to accommodate visitors who showed up in season. It was a family-friendly resort as evidenced by the Dalton family photo posed in front of the mill.

Ruth Rusk Anderson was Mary Anderson’s Grandma. She was 6 years old in 1925, when this photo was taken. She told Mary about “a fishing camp she went to as a child that she loved, and the heartache she felt when it flooded.” Arnhold’s Mill was covered by the backed-up waters of the Osage when Bagnell Dam closed.

Mary Anderson sent us these photos of the family vacation at Arnhold’s Mill in the 1925. She has scanned and made available to family members a horde of family snapshots. The Dalton and Poague families are prominent in Missouri history and this greatly adds to the genealogical archives of the family.

 

 

 

 

Damming the Osage and all Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble.

Nov 102019
 

Several kids of the Dalton family pose with their catch on a family vacation at Arnhold’s Mill in 1925. Jim Dalton became mayor of Nevada, Missouri – much later in life of course. (Courtesy of Mary Anderson)

The kids are members of the Dalton clan, but the men holding the string appear to be locals. The large, long-nosed gar is a puzzlement. It’s not a palatable fish.

More Dalton family members with evidence of the abundance of fish in the pre-dam Niangua. Courtesy of Mary Anderson.

German immigrants, George and Dorotha Arnhold, bought Cleman Mill on the Niangua River in Camden County in 1878. Its scenic location, abundant game, good fishing and congenial owners attracted sportsmen from across the state. Arnhold’s Mill became an early sportsmen’s resort.

Such was his popularity when George Arnhold died in 1896, sportsmen commissioned a monument, which was carved in Scotland and delivered to Versailles in 1899. More than 500 people attended the dedication ceremony. The inscription says: “Erected in the memory of Dorotha Arnhold and George Arnhold by many fishermen friends as a tribute to their unlimited generosity.”

Located on the Big Niangua two miles upstream from today’s Niangua bridge, Arnhold’s Mill and the adjacent outbuildings and houses were covered by the waters of Lake of the Ozarks when Bagnell Dam closed.

Mary Anderson, who sent us these photos, remembers: “My Grandma Rusk talked about a fishing camp she went to as a child that she loved, and the heartache she felt when it flooded. … I feel confident she was talking about Arnhold Mill. (These photos) are from 1925. My Grandma was 6 years old in 1925.”

Mary Anderson’s hours spent scanning the boxes of old black-and-white photos added to the extensive genealogy of the Dalton family, prominent in Missouri history. Digital technology provides a significant enhancement to family histories as images such as these can be attach to the written records of family members.

Damming the Osage and all Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble.