SURREAL 1907 OSAGE RIVER POSTCARD

 Damming the Osage, Uncategorized  No Responses »
Feb 182021
 

Real photo postcard marked, “Osage River” and “Becraft Photog. (21).”

What in the world is that ball on a stick  doing in the middle of the Osage River, poking up from the bottom of this real photo postcard?

This enigmatic view is postmarked “Monegaw Springs Aug. 23, 1907.” It was addressed to Miss Mary Mifflin Kansas City, Mo: “Dear Sister, this is a splendid picture of the Osage. Having a royal good time. Am rather used to the strange country ways by now … lovingly, Edna.” “Strange country” indeed—what IS that ball on a stick?

Did surrealism, the art of incongruous imagery, hit the Ozarks a decade before the term was even coined in Paris? If you’ve got any idea what that ball and stick are please let us know at lensandpen@yahoo.com

We have half a dozen Becraft real photo postcards, mostly of Osceola and the upriver spa, Monegaw Springs. In our book Damming the Osage, we used a wonderful image of his showing a 68 lb. blue cat proudly displayed by two men and a boy on the streets of that old river town.

NOTE: In 1905 a group of Kansas City businessmen acquired the old Monegaw log hotel (once a favorite haunt of the James and Younger brothers while laying low from the law) and began development of a resort on the Osage. It’s entirely possible Miss Edna was a guest at the Monegaw Club.  Watch for a future post on the post-outlaw life of the old hotel in Monegaw.

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage which has an extended explanation of Monegaw Springs and its outlaw history. All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

A PRETTY BUT MISLEADING PHOTO OF GRANDIN, MO, CIRCA 1905

 Beautiful Ozarks, Irish Wilderness  No Responses »
Feb 102021
 

This seems an appropriate card to post this week as temperatures fall and freezing mist turns roads into treacherous slides.

Entitled “The Woods in Winter, Grandin, Mo. Hinchey Photo,” this toned real photo postcard is puzzling. When this photo was taken, Grandin was the largest sawmill operation in the world, yet this scene is anything but industrial. Pennsylvania capitalists created the Missouri Lumber and Mining Company and, with the help of thousands of mill hands, converted a large percentage of the virgin pine forests of the southeast Ozarks into dimension lumber. (See details of that industrial lumbering operation in our book, Mystery of the Irish Wilderness.) Presumably, the puny trees along the brook were safe from the sawmill blades. But who, in this nexus of industrialization, would be interested in a poetic snow scene?

R. E. Hinchey was the “official photographer” for several railroads. They produced heavily illustrated booklets on the Ozarks, which not only promoted farming, mining, and wood products but also portrayed the region’s natural beauty. This postcard image was likely an outtake from his assignment to depict the area for Frisco sales material.

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage and James Fork of the White on www.beautifulozarks.com All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

 

A BLEAK OZARK CREEK IN MILLER COUNTY

 Damming the Osage  No Responses »
Jan 272021
 

In the past, even when degraded by early agriculture, clear Ozark creeks were apparently valued enough to be photographed. Present-day agriculturalists also appreciate their charm and take much better care of them.

This real photo postcard from the early 1900s shows a small, unnamed Ozark stream. It is a puzzlement. Why would Scott’s (?) Photographic Studio in Tuscumbia waste film on a picture lacking a conventional subject or purpose? Even the name of the studio embossed on the card is unclear. But someone valued it. The back has glue residue indicating it was once saved in an album.

The sad, battered $2.50 postcard also documents that subsistence farming was hard on waterways. Though fragments of fencing are visible, it’s likely livestock in search of water caused some of these crumbling stream banks. There are little vegetation and few trees to prevent erosion either. Extensive chert beds still clog Ozark rivers but today’s permanent pastures do not add much gravel as the old-time row cropping practices did.

Today, this place, likely in Miller County Missouri, would look less raw, dreary, and desolate even in winter. Farmers now will rarely allow cattle access to streams. They are watered in troughs or ponds. Streambank trees and vegetation inhibit erosion. Economics has caused the conversion of plowed fields into pastures and there is an accompanying sensitivity of agriculturalists to ecological benefits. The Missouri Department of Conservation has pointed this out and acquainted landowners with USDA cost-sharing programs that pay for creating stream buffers.

 

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage and James Fork of the White on www.beautifulozarks.com All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

MEMORIES OF THE UNDAMMED OSAGE RIVER

 Damming the Osage  No Responses »
Jan 012021
 

Not included in the cost/benefit analysis of Corps of Engineers water resource projects are the economic, social and emotional costs of those who are dispossessed of their land.

China’s monster dam projects displaced millions of farmers and covered hundreds (or more) villages. They caused the extinction of China’s 20-foot-long paddlefish species, a close relative of our own Polyodon spathula. Truman Dam and Reservoir didn’t cause the extinction of the smaller American paddlefish, but it did necessitate development of an artificial breeding program by the Missouri Department of Conservation. That dam destroyed the spawning beds of the spoonbill, as they are called by locals.

There was an uncounted human cost as well. Hundreds of families lost their land to Truman reservoir. Not only was their compensation based on land sale records, in many cases old (some farms had not changed hands in generations) providing misleading valuations, but comparable acreage was not available to replace their livelihood of farming. So they were essentially put out of business. Some of those operations had been in business for a century or more and had supported successive generations of a family. During that time many memories were formed and family traditions established, which were now severed.

Melanie Pruitt with her grandparents on the Sac River in 1980.
Praise to George Eastman whose 1-A Kodak first made the family snapshot feasible. Photos like this have preserved a record of pleasant, fleeting moments that might be forgotten without a picture.
Thanks to Melanie Pruitt for permission to reproduce this lovely image.

We received an email recently that poignantly describes this emotional cost of losing land to ill-justified “multipurpose” dam and reservoir schemes. With permission, here is the email from Melanie Pruitt with a wonderful snapshot of young Melanie with her grandparents on the Sac River arm of the headwaters of Truman Reservoir:

I read Damming the Osage from cover to cover in 72 hours after receiving. … It was beyond amazing. I have spent YEARS trying to explain to people the impact of this situation. And everyone always says, but it’s for flood control. My family was very much impacted by this and lost land to the Corps, but not nearly as much as many, many others impacted. I haven’t stopped talking about your book, as I now can fully explain to people something I always believed in but never knew the whole story or how to explain.

Attaching a pic of me with my grandparents from summer of 1980 on the Sac river, taken just west of new bridge on 82 highway in Osceola. The lake hadn’t completely filled yet (close though) but the color of the water was still blue, not brown. That’s what’s chilling. It’s the last pic I have of me and my grandparents together, as my grandpa passed away in January 1981. I could go on for eternity on what this river means to me, my family, etc. and the impacts of everything.

The Sac is now also dammed farther upstream at Stockton.

 

 

 

The story of Osceola and many of the colorful characters who lived there (including the James and Younger brothers) is woven through our 304-page book. It is now available for $17.50, half the original price, from our website 

ANNOUNCING A HOLIDAY BOOK SALE!

 Beautiful Ozarks, Damming the Osage, Irish Wilderness, James Fork of the White, Lover's Leap Legends, See The Ozarks, Uncategorized  1 Response »
Nov 142020
 

The holiday season is upon us all and BOOKS MAKE SPLENDID GIFTS!

We are pleased to offer a 50% discount on our current inventory with free shipping.
Click here to visit our storefront to order now.

Lover’s Leap Legends Price now: $17.50
James Fork of the White Price now: $17.50
Damming the Osage: Price now: $17.50
Mystery of the Irish Wilderness: Price now: $9.95
On the Mission in Missouri Price now: $10.50
The Beautiful and Enduring Ozarks Price now: $9.95
See the Ozarks: The Touristic Image Price now: $12.50

We have videos about our books on our Youtube channel.

 

Send check orders to:
Lens & Pen Press
4067 S. Franklin
Springfield, MO 65807

Early Ozarks Roadside Advertising

 Beautiful Ozarks, See The Ozarks, Uncategorized  2 Responses »
Nov 102020
 

On the front of the card is written “Scene in the Ozarks.” On the back is printed “Photo by Ayers, Neosho, Mo.”

On the cliff wall along a dirt road running along an unnamed Ozark river has been painted “Chesterfield Cigarettes.” At the end of the dirt road, you can barely make out an iron bridge spanning the river. Commercial graffiti like this is uncommon. Billboards sprang up in the 1930s along well-traveled highways but weren’t the kind of strenuous objections to debasing scenic views as there was back East. Occasionally, letters to the editor raised esthetic concerns but in New England states anti-billboard forces have gone farther, getting severe restrictions on outdoor advertising. The Federal Highway Beautification Act required states to maintain “effective control” of outdoor advertising, but even these rules are less restrictive than the regulations of Vermont and New Hampshire. Today, cliff faces like this are more likely to display spray-painted bad art and obscenities than product advertising.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

Tourist misidentifies character from “The Shepherd of the Hills” saga

 James Fork of the White, See The Ozarks, Uncategorized  No Responses »
Oct 062020
 

Garber was a “flag stop” on the Missouri Pacific line, not far from Branson. The train would stop when there were railroad ties to pick up or deliveries for the post office, which also sold groceries, patent medicine, and tobacco. Old Matt and Aunt Molly (the Rosses) welcomed tourists and would sign postcards and entertain them with stories of the old days in the White River hills, even though they were themselves relatively recent arrivals themselves from back East.

This extremely sharp real photo postcard, circa 1918, has an X over the man with a hat and goatee on the far right. On the back is typed, “I saw Uncle Ike as we passed on the train He is exactly as this picture shows him. Near here is the wonderful cave, but something like 15 or 20 miles from Hollister.” The man with the X is not Uncle Ike in Harold Bell Wright’s novel. Across the front of the store is painted, “J.K. Ross General Store.”

The man on the porch with the X above him is in fact J. K. Ross, who was reputed to be Harold Bell Wright’s model for the title character of his melodramatic novel, which launched tourism in the Branson area. Uncle Ike, a minor character in the book, was said to be based on Levi Morrell, who also was accessible to tourists at his post office at Notch, about five miles from Garber. Levi was stockier than J.K. Ross and had a full beard. Wright spent seven summers in the Branson area but denied that he had explicitly based any characters on locals. Both Ross and Morrell, and many other locals, claimed the book’s characters as their own and enjoyed the notoriety. Many of their graves have both their Christian and their fictional names engraved on their tombstones.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Webb’s Mule Factory – Branson

 James Fork of the White, See The Ozarks  No Responses »
Sep 092020
 

Webb appears to have a tattoo on his left arm. We can’t quite make it out, but there’s a good chance he was in the Navy as military symbols were dominant motifs in ink then.

On the front of this real photo postcard, circa 1940, is written “H. P. Webb, Originator of “Missouri Mule.” We vaguely remember seeing these handmade souvenir mules in junk shops or antique malls in the past. After finding this postcard, if we see another one we’ll buy it.

The Missouri mule has faded from public memory. Mules, which are a sterile hybrid of horses and donkeys, were known for their strength, stamina, and intelligence – and for their willful obstinance, contrariness. Somehow this aligned with the popular image of Missourians and the mule was a symbol of rural Missouri. They are more a curiosity than a common farm animal today. Awareness of them has retreated. Locally produced souvenirware all but vanished in the 1950s with the availability of much cheaper Japanese giftware, some of which was hand-painted and quite attractive originally but became slurred as time went on. Locally made crafts are sold today as art, not souvenirs.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Ozark Beach – Anglers on the lawn preparing to fish Lake Taneycomo

 James Fork of the White, See The Ozarks  No Responses »
Aug 072020
 

Real Photo postcard, postmarked July 1, 1918. Real Photo Postcards of this era are often exceedingly detailed and sharp. They are actual photographs produced from a negative taken with a postcard camera, not photomechanical reproductions. The amount of silver on the paper was adequate to produce exquisitely realistic images

Visions of vacations past. Here, three cane-pole nimrods and one fisherman with a rod and reel lounge on the lawn at Ozark Beach. Maybe they’re telling tall tales of the one that got away, or discussing which holes in Lake Taneycomo will offer up the best catch. They seem to be objects of curiosity to a gaggle of tourists. The note on the back from Barbara to Miss Hattie in Kansas City reads in part, “we rode 20 miles from Branson on the boat. We were so tired when we got here. This is a picture of the Hotel we are stopping at … We went fishing last night … Will see you soon.”

Ozark Beach was a very early resort within walking distance to the low dam that created Lake Taneycomo. Recently we’ve seen Missouri’s first hydroelectric project, which closed in 1916, referred to as Ozark Beach Dam. We have no idea why. Its original name was Powersite. Why the change, we don’t know.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

How Rough was “Roughing it in the Ozarks”?

 Beautiful Ozarks, James Fork of the White, See The Ozarks  No Responses »
Aug 032020
 

Real photo postcard, circa 1910. Nothing on the back. Scratched in the negative: “Roughing in the Ozarks.”

The more we looked at this recently acquired postcard, the more we puzzled over it. What was going on? Who were the people? Locals or city folks? The clothes look more store-bought than homespun.  Was it all a setup? It’s not your standard “Life of the hillbillies” postcards sold at tourist shops. So we sent it to Lynn Morrow, Ozarks historian extraordinaire, to ask his opinion. He replied:
What a great postcard, new one to me.  My guesses include some of yours:
I’d guess they are from an Ozark town, the clothes are too good for a subsistence farmer; the “Roughing it in the Ozarks” was a common phrase in sporting and urban newspapers of the day, the traveling(?) photographer and/or locals are just imitating it & I’ve seen it elsewhere, but it is another hint of using an urban influence in the backwoods;
They aren’t too far from town or a sawmill with a dimension lumber shack (it looks like a tree rather than a stove pipe in the background) and the setting looks “Novemberish” to me for the campout; the woman in the background on the horse must be local, and maybe she brought the clothes’ pins to hang the textile on a line that is attached to the tree on the left;
The “T-pee” was popular with the emerging scouting and rural life movement that often included something “Indian” in costume, dress, etc.; the stripped wagon-type tent is surely another mail order product; the one girl in middle looks like she’s doing an Annie Oakley imitation;
The boy may be sitting on a “picnic” table, usually not seen in urban sportsmen images; the box on the ground behind the man on right might be a dry goods box of canned food and/or gear brought to the site;
but, puzzling to me is the apparent bamboo or cane poles that could be fishing poles, but why are they bound/wrapped high up unless that was just for traveling?
Regardless of guesses, the card is a keeper and should be published!
KWTO (Keep Working for the Ozarks),
Lynn
Lynn Morrow is the retired director of the Missouri State Archives’ Local Records Program, Missouri State University alum, and an Ozarks historian. His book, Shepard of the Hills Country: Tourism Transforms The Ozarks, occupies prime shelf space in our office and is festooned with post-it notes.
If anyone knows about it or has another interpretation please let us know.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

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