Jul 142021
 

When the Civil War ended, Billy Griffin mustered out of Gen. Marmaduke’s Confederate forces at Batesville, Arkansas, and returned to the Current River area. There he found the community of Irish scattered. His parents had held on but few others. Billy moved his parents to Ironton, but he returned to the area near Wilderness where he lived the rest of his life. Few of the other original settlers ever returned.

In 1868, Billy married Mary Ann Snider, widow of Samuel Cusic Snider and ten years Billy’s senior. Billy and Mary Ann Snider Griffin had three children, Mary Catherine (b. 1869, married name Mrs. Harvey Smith, of Fremont) and Patrick (b. 1871) and John Ruben (b. 1873). The only reference I’ve seen to the two daughters Mary Ann Snider brought into the marriage is in his obituary: “He is also survived by two step-daughters, Mrs. Cusic Brown of Dry Valley, and Mrs. Sarah Hanners of Rockford, Wash., to whom he was a kind and affectionate father.”

The article about their aging cabin made passing mention of the Irish Wilderness: “The Griffins and their neighbors had to travel many miles to mill with their wheat and corn. They went to the mill at Falling Springs or across the Irish Wilderness to Turner’s Mill on Eleven Point River.”

The article continued: “In 1885, the Frisco railroad built the Current River Branch road to Grandin from Willow Springs (see our post on lumber industry in the Wilderness) and the track ran through the Griffin farm on Pine Creek. The logging industry had come into the Ozarks and saw mills sprang up and the pine forests were stripped from the hills of Carter County around the old house.”

Billy Griffin became the source of knowledge about the early settlement for local historians and the curious. The Current Local newspaper in Van Buren interviewed him. Billy gave a detailed account of how the little settlement was created, their trials and difficulties, joys and romances.

But they were happy, those simple people. Happy and industrious in their wilderness. On the Sabbath they had religious services and the monotony of life in the woods was broken by merry making in their cabins. Into their life there came romances and there came sorrow. The young priest was called on to marry the young and to bury the dead. Faithfully he stood by them, cheerfully he encouraged them.

A few years later the sorrows of the civil war … found its way out into that wilderness and the little crops of those simple people were ruthlessly taken and their livestock driven away by skallawags who took advantage of the deplorable conditions of the time. … And the country that had begun to smile under their industrious efforts once more became a wilderness.

This story was told to the editor of Community a number of years ago by “Uncle Billy” Griffin, a respected citizen of Carter County, the last survivor of those colonists. To the writer it seemed a pathetic story and the pathos was all the greater when Uncle Billy said: ‘We came to America, fleeing from persecutions in Ireland. We came far out into the wilderness to make our homes. It was hard for us to understand why Americans, who had always stood for us as the greatest exponents of justice and chivalry, should have robbed us of our homes and our happiness.’

Billy’s two siblings, Thomas and Catherine, lived in the Pilot Knob area. Julia Billingsley shared that Thomas never married; Catherine married David Gunton and had two children who did not marry so the Griffin line continued through Billy.

Billy Griffin died January 4, 1918 at the Alexian Brothers’ Hospital in St. Louis. Blood poisoning was listed as the cause of death. His obituary in the Van Buren newspaper noted, “For fifty years Mr.Griffin was one of the foremost citizens of this section of the country. … Perhaps no man in this section had more friends than ‘Uncle Bill’ Griffin. … He was an honorable gentleman of strong convictions. … He will be greatly missed.”

Billy, Thomas, Catherine and her children, Emmet and Julia, are buried in Pilot Knob Catholic Cemetery – an unmarked cemetery on Middlebrook Road near Ironton. Elizabeth, Billy’s mother is buried in Middlebrook Cemetery about two miles north.

Lens & Pen Press is having a warehouse sale and offering all titles for half price, postage paid.

Mystery of the Irish Wilderness: Land and Legend of Father John Joseph Hogan’s Lost Irish Colony in the Ozark Wilderness  and On the Mission in Missouri are available on amazon.com or discounted 50 percent on this website, postage paid.

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Apr 132021
 

1909 Construction photograph of Lock and Dam No. 1

In 1886, an Osage River Improvement Committee convened and, using Army Engineers plans, challenged Congress to make the river navigable clear to Kansas with a series of locks and dams. After delays, work on the first lock and dam began in September 1895 at Shipley Shoals then seven miles from the mouth of the Osage.

The pièce de résistance of the futile effort to render the Osage River navigable was Lock and Dam No. 1. In the twentieth century, Army Engineers became renowned for escalating the price of a dam after Congressional authorization and work had started. Underestimating construction costs has long been a skill of the Corps.

In 1891, Lock and Dam No. 1 was estimated to cost $187,244. By 1895, with the addition of Chanoine wickets to raise and lower water levels to keep from flooding farms upstream, a figure of $417,500 appeared in War Department documents. As this 1909 photograph shows, the project obviously took longer and cost more than had been stated in Corps of Engineers’ reports to Congress.

The impressive hunk of concrete and iron, 850 feet wide with a 40 by 220 foot lock, proved to be a mixed blessing. Upon completion in 1906, a 30-foot section washed away. The structure blocked barges, which were the most cost-effective river transportation.

In 2012, a drought lowered Osage River levels so much that the rotten remains of Lock & Dam No. 1 were exposed for all to see. Today it not only serves to block possible sturgeon and paddlefish migration to Osage River spawning beds, but every year or two someone drowns trying to navigate through it in high water.

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

 

Mar 232021
 

Photo by Becraft, Osceola, MO. 68 Pounds #25

On the first page of the first chapter in Damming the Osage, we wrote:

After being the subject of the real photo postcard, this sixty-eight-pound blue catfish likely became the blue plate special at an Osceola, Missouri café. Though not uncommon in the Osage River, big fish were newsworthy. Several hundred miles downstream and a decade earlier another huge catfish (a blue or a flathead) made the June 1, 1895, Jefferson City Daily Tribune:

News has just been received here of the strange manner in which John Harnett an Osage River fisherman, lost his life by being drowned by a catfish weighing 105 pounds. No one witnessed the death struggle which occurred some twenty-five miles up the river, but the finding of Harnett’s body, a trot-line and the live fish attached thereto some hours after he was missed tells the story of how he lost his life. He had wrapped one end of the line around his hand and been jerked in the river and drowned by the struggles of the fish to free itself.”

This was a true Osage river monster cat, so big the men holding the staff supporting it had to stand on boxes to keep the tail off the ground. Times and the river’s ecology have changed.  The most recent headline-grabbing hefty fish pulled from the Osage was a 112-pound invasive black carp.

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com/buy-the-book/ for $17.50 (half the original price of $35), postage paid.

Feb 182021
 

Real photo postcard marked, “Osage River” and “Becraft Photog. (21).”

What in the world is that ball on a stick  doing in the middle of the Osage River, poking up from the bottom of this real photo postcard?

This enigmatic view is postmarked “Monegaw Springs Aug. 23, 1907.” It was addressed to Miss Mary Mifflin Kansas City, Mo: “Dear Sister, this is a splendid picture of the Osage. Having a royal good time. Am rather used to the strange country ways by now … lovingly, Edna.” “Strange country” indeed—what IS that ball on a stick?

Did surrealism, the art of incongruous imagery, hit the Ozarks a decade before the term was even coined in Paris? If you’ve got any idea what that ball and stick are please let us know at lensandpen@yahoo.com

We have half a dozen Becraft real photo postcards, mostly of Osceola and the upriver spa, Monegaw Springs. In our book Damming the Osage, we used a wonderful image of his showing a 68 lb. blue cat proudly displayed by two men and a boy on the streets of that old river town.

NOTE: In 1905 a group of Kansas City businessmen acquired the old Monegaw log hotel (once a favorite haunt of the James and Younger brothers while laying low from the law) and began development of a resort on the Osage. It’s entirely possible Miss Edna was a guest at the Monegaw Club.  Watch for a future post on the post-outlaw life of the old hotel in Monegaw.

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage which has an extended explanation of Monegaw Springs and its outlaw history. All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

Nov 142020
 

The holiday season is upon us all and BOOKS MAKE SPLENDID GIFTS!

We are pleased to offer a 50% discount on our current inventory with free shipping.
Click here to visit our storefront to order now.

Lover’s Leap Legends Price now: $17.50
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Nov 102020
 

On the front of the card is written “Scene in the Ozarks.” On the back is printed “Photo by Ayers, Neosho, Mo.”

On the cliff wall along a dirt road running along an unnamed Ozark river has been painted “Chesterfield Cigarettes.” At the end of the dirt road, you can barely make out an iron bridge spanning the river. Commercial graffiti like this is uncommon. Billboards sprang up in the 1930s along well-traveled highways but weren’t the kind of strenuous objections to debasing scenic views as there was back East. Occasionally, letters to the editor raised esthetic concerns but in New England states anti-billboard forces have gone farther, getting severe restrictions on outdoor advertising. The Federal Highway Beautification Act required states to maintain “effective control” of outdoor advertising, but even these rules are less restrictive than the regulations of Vermont and New Hampshire. Today, cliff faces like this are more likely to display spray-painted bad art and obscenities than product advertising.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

Oct 062020
 

Garber was a “flag stop” on the Missouri Pacific line, not far from Branson. The train would stop when there were railroad ties to pick up or deliveries for the post office, which also sold groceries, patent medicine, and tobacco. Old Matt and Aunt Molly (the Rosses) welcomed tourists and would sign postcards and entertain them with stories of the old days in the White River hills, even though they were themselves relatively recent arrivals themselves from back East.

This extremely sharp real photo postcard, circa 1918, has an X over the man with a hat and goatee on the far right. On the back is typed, “I saw Uncle Ike as we passed on the train He is exactly as this picture shows him. Near here is the wonderful cave, but something like 15 or 20 miles from Hollister.” The man with the X is not Uncle Ike in Harold Bell Wright’s novel. Across the front of the store is painted, “J.K. Ross General Store.”

The man on the porch with the X above him is in fact J. K. Ross, who was reputed to be Harold Bell Wright’s model for the title character of his melodramatic novel, which launched tourism in the Branson area. Uncle Ike, a minor character in the book, was said to be based on Levi Morrell, who also was accessible to tourists at his post office at Notch, about five miles from Garber. Levi was stockier than J.K. Ross and had a full beard. Wright spent seven summers in the Branson area but denied that he had explicitly based any characters on locals. Both Ross and Morrell, and many other locals, claimed the book’s characters as their own and enjoyed the notoriety. Many of their graves have both their Christian and their fictional names engraved on their tombstones.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Jul 072020
 

Real photo postcard, 1930s. Written on the postcard, “Looking down on Gasconade River from Portuguese Point. S-243.” Inevitably, photographs of the panoramic landscape contain a figure poised at the edge of the cliff.

There is a bluff called Portuguese Point overlooking the Gasconade River valley about eleven miles south of Dixon, Missouri. It has a splendid view, is easily reached, and photographers and artists, professional and amateur alike, exploit its graphic opportunities. The mystery is, what were the Portuguese doing in the Ozarks? We found a credible explanation in the KJPW’s Old Settlers Gazette, July 26, 1997, in an article by Gary Knehans. Apparently, John Anderson Smith immigrated to the Ozarks in 1858 and ended up in a fertile valley in a bend in the Gasconade. The pioneer had Cherokee blood and apparently, he and his children had Native American features. Fearing prejudice against Indians, he told his neighbors he was of Portuguese ancestry. Smith had a colorful life. Bushwhackers hung him but he survived somehow to die of dropsy in 1922. As he had voted twice for Henry Clay for President, his age was variously calculated at 110 or 116 years old. The article doesn’t cite any references but it’s an interesting and credible explanation.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Apr 262020
 

The Springfield News-Leader ran an intriguing article on paddlefish going over dams and surviving. Sadly, it didn’t mention that most are killed whether they go through the turbines or over the top in a flood. It’s common to see pieces of paddlefish below dams after they were sucked into turbines and chewed up. Our guess is one out of hundreds survive.

But it’s heartening to know that this incredible, giant prehistoric fish occasionally gets lucky. Corps of Engineers’ dams have contributed to their conceivably endangered future. While the adults thrive in reservoir pools, damming blocks access to their spawning grounds.

In our book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, the fate of the paddlefish occupies many pages. Truman Dam destroyed the best spawning grounds in the country. All the paddlefish in Missouri are hatchery-spawned and raised. We quoted a publication by the American Fisheries Society entitled, “The Paddlefish: Status, Management and Propagation” (1986):

Finally, a note of caution. Although techniques for producing and stocking paddlefish were presented in this symposium, we do not consider stocking to be an answer to habitat deterioration and management problems. These techniques were developed for special circumstances where stocking was the only way to maintain a population. Artificial propagation and stocking should not be used as a cure-all or substitute for wise or practical management. Trying to solve problems by treating symptoms is expensive and ineffective. In addition, stocking would affect the integrity of paddlefish gene pools and is ill-advised until we know a lot more about the genetics of this species.

The MICRA paddlefish-sturgeon committee issued a warning in 1998 that “the use of hatcheries to reduce population declines is not a substitute for solving the causes of declines.” In addition to genetic considerations, the paper listed six other problems with stocking,hatche of which “delaying habitat restoration” was the worst.

page 236, Damming the Osage

The Department of Conservation fisheries people are to be praised for keeping the paddlefish from vanishing from Missouri waters. It’s an expensive program and should there be a severe recession raising paddlefish might be defunded. MDC gets most of its money from a conservation sales tax. This largely bypasses political control. Some politicians wish to do away with this arrangement. It’s likely, should the state legislature control the MDC budget, urban interests might not be favorably disposed to maintaining the paddlefish-raising program. Paddlefish might be seen as expendable.

The fate of the paddlefish (or spoonbill) was central to a lawsuit to stop Truman Dam—which obviously failed. Our 304-page book, Damming the Osage, is available on amazon.com or this website at a discount, postage paid

Mar 112020
 

Powersite Dam, 1920s postcard. White River Art Station.

Real photo postcards were produced one at a time, usually by the photographer himself, which made them ideal for small regional markets; it also means they are less common today on the collector’s market. As Ozark tourism grew, entrepreneurs turned to producing printed postcards, which could be printed in large runs. After A.K. Bishop, an early producer of real photo postcards, died in 1925, his widow, Mrs. Grace Bishop, continued in the picture-postcard business. Her stock and trade were mechanically reproduced postcards. A photograph was hand-colored then reproduced as a lithograph to be printed by the thousands. Mrs. Bishop operated a store in Branson, the White River Art Station, and labeled her postcards with that name.

When a large flood inundated Branson in 1927 an article in the Stone County News Oracle (April 27), Galena, gave an indication of the scale of the printed postcard business. The article noted she had not suffered as much damage: “Possibly one who suffered the least in the form of ruined stock was Mrs. Grace Bishop of the White River Art Station.” She had placed her stock on high shelves and was able to enter the studio in a rowboat and retrieve her stock: “Mrs. Bishop says she has a hundred thousand picture cards on hand and two hundred thousand ordered. She is ready for summer any day she wants to come.”

An abundance of White River Art Station printed postcards are for sale on eBay and through postcard dealers throughout America for a few dollars. George Hall’s real photo postcards, however, are rarely for sale and can bring $60 to $200.

 

Lens & Pen books are available for purchase on this website on amazon.com and at Barnes & Noble. See sample pages from our new book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com