Sep 252023
 

“Mountain Music Lovers On March To Springfield; Chamber of Commerce Looks Askance at Hill Billy Antics; Old Fiddlers Will Torture Ears of Progressive Ozark City,” read a headline from The Jefferson City Post-Tribune:

“The new broadside was fired by John T. Woodruff, president of the Chamber, who told sponsors of the Ozarks folk festival across the table last night that writers on Ozarkian subjects are “a lot of carpetbaggers” and that Harold Bell Wright, who first “touted the Ozarks hardly knew a thing about them and held up the class of citizenship at the foot of the ladder.” He said that Vance Randolph, Ozark author who was present, had been “consorting with some of the undercrust and took them as typical.”

And he added he wondered why “the woods colt” [sic], a recent Ozarks novel by Thames Williamson had not been suppressed. “The Ozarkians,” said Woodruff, “are a lovable people. Never get the idea that they are uncouth, illiterate and mean – the real Ozarkian is high-minded, patriotic and God fearing and he made here a near perfect a civilization as it is possible to make in a wilderness.”

The Springfield Leader and Press covered the banquet as well. “The worst thing about Vance,” said Woodruff, “is his association with the author of ‘The Wood’s Colt.’” That novel was described in Kirkus Review as “a story of the Ozarks, with the seemingly unavoidable component parts: bootleggers, moonshiners, revenue officers, sheriffs, blood feuds, the hero of the piece, and the villain.” Vance Randolph had gone over the dialect for authenticity, and Williamson dedicated the book to him. Time magazine thought it deserved a Pulitzer. The author of the book that Woodruff thought “should be suppressed” wasn’t present, but Randolph was.

McCord leapt to his defense. “Vance Randolph is the greatest authority on the Ozarks living today.” Eureka Springs Chamber of Commerce president praised Woodruff for his “pioneering in the way of better roads” but said he was indebted to Randolph for his interest in things Ozarkian.

Vance refused to comment. “Mr. Ozark” had signed on to be a judge largely because he found Sarah Gertrude Knott fetching.

 

Taken from James Fork of the White: Transformation of an Ozark River, now on sale for $17.50 (half price) postage paid, at www.beautifulozarks.com

 

Sep 122023
 

 

 The committee for the first Springfield Folk Festival, held in 1933. Vance Randolph is third from left, and Sarah Gertrude Knott, the woman he was attracted to, is on the far right. Bascom Lamar Lunsford, who also fancied Miss Knott, is the gent with the bow tie. May Kennedy McCord is fifth from the left.

In the spring of 1934, the Springfield Chamber of Commerce was presented with a very different opportunity to celebrate the Ozarks Empire. May Kennedy McCord, of KWTO’s radio show “Hillbilly Heartbeats,” was on the advisory committee for the upcoming First National Folk Festival to be held in St. Louis, Missouri, beginning April 29. Folk-play and folk-dance enthusiast Sarah Gertrude Knott conceived of that four-day event. Banjo-playing, bowtie-wearing, ballad-singing Bascom Lamar Lunsford, “Minstrel of the Appalachians,” assisted her. The St. Louis Chamber of Commerce enthusiastically backed the venture. Leading up to the main event, contests at smaller festivals would decide who would take the stage in St. Louis to fiddle, yodel, or clog. McCord’s friend Vance Randolph was asked to be one of the judges. She asked if the local committee could meet in late March with the Chamber to solicit support for a Springfield venue.

That meeting did not go well. A blow-by-blow account appeared in The Pittsburgh (Kansas) Headlight of March 22, 1934. On March 27, the Springfield Leader and Press reprinted highlights from it entitled, “The Ozarks and Culture.” “A lot of freaks should not be selected to go to the national festival,” John T. Woodruff, a Chamber official told the shocked group. “Why call back the things we’ve been trying to forget for fifty years? Why advertise to the world that we are ignorant?”

Taken from James Fork of the White: Transformation of an Ozark River, now on sale for $17.50 (half price) postage paid, at www.beautifulozarks.com