boss

May 132021
 

Real photo postcard by Thomas: “Excursion—Osceola to Monegaw. June 20 – 09”

Nearly a century before Lake of the Ozarks’ infamous Party Cove, people found entertainment on the free-flowing Osage. Small steamboats, some pushing barges, delivered large parties from Osceola to Monegaw Springs, eight miles upstream, after commercial river traffic had almost disappeared.

The effort to finance a railroad from Osceola to Monegaw Springs failed. Attempts to capitalize on Monegaw’s celebrated springs have been persistent, but largely unrewarded. Its geographic isolation has been problematic, and later public recognition that drinking spring water had no medicinal benefit sealed its fate.

Even if Monegaw ultimately fizzled as a spa and resort, it was clearly a fun place to visit in the early 1900s. Recreationalists back then dressed more formally but from what we understand alcoholic beverages were equally popular (some things don’t change).

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half-price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

 

Apr 132021
 

1909 Construction photograph of Lock and Dam No. 1

In 1886, an Osage River Improvement Committee convened and, using Army Engineers plans, challenged Congress to make the river navigable clear to Kansas with a series of locks and dams. After delays, work on the first lock and dam began in September 1895 at Shipley Shoals then seven miles from the mouth of the Osage.

The pièce de résistance of the futile effort to render the Osage River navigable was Lock and Dam No. 1. In the twentieth century, Army Engineers became renowned for escalating the price of a dam after Congressional authorization and work had started. Underestimating construction costs has long been a skill of the Corps.

In 1891, Lock and Dam No. 1 was estimated to cost $187,244. By 1895, with the addition of Chanoine wickets to raise and lower water levels to keep from flooding farms upstream, a figure of $417,500 appeared in War Department documents. As this 1909 photograph shows, the project obviously took longer and cost more than had been stated in Corps of Engineers’ reports to Congress.

The impressive hunk of concrete and iron, 850 feet wide with a 40 by 220 foot lock, proved to be a mixed blessing. Upon completion in 1906, a 30-foot section washed away. The structure blocked barges, which were the most cost-effective river transportation.

In 2012, a drought lowered Osage River levels so much that the rotten remains of Lock & Dam No. 1 were exposed for all to see. Today it not only serves to block possible sturgeon and paddlefish migration to Osage River spawning beds, but every year or two someone drowns trying to navigate through it in high water.

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

 

Mar 232021
 

Photo by Becraft, Osceola, MO. 68 Pounds #25

On the first page of the first chapter in Damming the Osage, we wrote:

After being the subject of the real photo postcard, this sixty-eight-pound blue catfish likely became the blue plate special at an Osceola, Missouri café. Though not uncommon in the Osage River, big fish were newsworthy. Several hundred miles downstream and a decade earlier another huge catfish (a blue or a flathead) made the June 1, 1895, Jefferson City Daily Tribune:

News has just been received here of the strange manner in which John Harnett an Osage River fisherman, lost his life by being drowned by a catfish weighing 105 pounds. No one witnessed the death struggle which occurred some twenty-five miles up the river, but the finding of Harnett’s body, a trot-line and the live fish attached thereto some hours after he was missed tells the story of how he lost his life. He had wrapped one end of the line around his hand and been jerked in the river and drowned by the struggles of the fish to free itself.”

This was a true Osage river monster cat, so big the men holding the staff supporting it had to stand on boxes to keep the tail off the ground. Times and the river’s ecology have changed.  The most recent headline-grabbing hefty fish pulled from the Osage was a 112-pound invasive black carp.

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com/buy-the-book/ for $17.50 (half the original price of $35), postage paid.

Feb 232021
 

Awkward photographic framing can produce puzzling images. It’s not a coincidence that surrealism came on after the invention and widespread use of the camera. One’s eye and brain compensate for awkward framing and off-kilter images, but a camera captures what is there—in all its visual disarray. We ran this photo (see previous post) of a puzzling intrusion into an image and asked if anyone knew what it was. This is one that had us stumped.

We received a tip from Todd Wilkinson, Project Manager for the James River Basin Partnership, and US Coast Guard Auxiliarist, that the come-from-nowhere ball and stick in this post was likely an “ensign staff.” Sure enough – Merriam-Webster defines an ensign staff as “the staff at the stern of a ship from which the national flag is flown.” The staff is usually topped by a polished metal ball.

For all our education, some more details from Wikipedia:

An ensign is the national flag flown on a vessel to indicate nationality. The ensign is the largest flag, generally flown at the stern (rear) of the ship while in port. The naval ensign (also known as war ensign), used on warships, may be different from the civil ensign (merchant ships) or the yacht ensign (recreational boats). Large versions of naval ensigns called battle ensigns are used when a warship goes into battle. The ensign differs from the jack, which is flown from a jackstaff at the bow of a vessel.

Mystery solved. The photographer was looking at the passing scenery behind the boat and didn’t notice or bother to exclude the staff from his frame.

Given Mr. Wilkinson’s bona fides on the topics of watercraft and waterways we appreciate him taking the time to clear up our quandary.

 

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage and James Fork of the White on www.beautifulozarks.com All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

 

Feb 182021
 

Real photo postcard marked, “Osage River” and “Becraft Photog. (21).”

What in the world is that ball on a stick  doing in the middle of the Osage River, poking up from the bottom of this real photo postcard?

This enigmatic view is postmarked “Monegaw Springs Aug. 23, 1907.” It was addressed to Miss Mary Mifflin Kansas City, Mo: “Dear Sister, this is a splendid picture of the Osage. Having a royal good time. Am rather used to the strange country ways by now … lovingly, Edna.” “Strange country” indeed—what IS that ball on a stick?

Did surrealism, the art of incongruous imagery, hit the Ozarks a decade before the term was even coined in Paris? If you’ve got any idea what that ball and stick are please let us know at lensandpen@yahoo.com

We have half a dozen Becraft real photo postcards, mostly of Osceola and the upriver spa, Monegaw Springs. In our book Damming the Osage, we used a wonderful image of his showing a 68 lb. blue cat proudly displayed by two men and a boy on the streets of that old river town.

NOTE: In 1905 a group of Kansas City businessmen acquired the old Monegaw log hotel (once a favorite haunt of the James and Younger brothers while laying low from the law) and began development of a resort on the Osage. It’s entirely possible Miss Edna was a guest at the Monegaw Club.  Watch for a future post on the post-outlaw life of the old hotel in Monegaw.

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage which has an extended explanation of Monegaw Springs and its outlaw history. All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

Feb 102021
 

This seems an appropriate card to post this week as temperatures fall and freezing mist turns roads into treacherous slides.

Entitled “The Woods in Winter, Grandin, Mo. Hinchey Photo,” this toned real photo postcard is puzzling. When this photo was taken, Grandin was the largest sawmill operation in the world, yet this scene is anything but industrial. Pennsylvania capitalists created the Missouri Lumber and Mining Company and, with the help of thousands of mill hands, converted a large percentage of the virgin pine forests of the southeast Ozarks into dimension lumber. (See details of that industrial lumbering operation in our book, Mystery of the Irish Wilderness.) Presumably, the puny trees along the brook were safe from the sawmill blades. But who, in this nexus of industrialization, would be interested in a poetic snow scene?

R. E. Hinchey was the “official photographer” for several railroads. They produced heavily illustrated booklets on the Ozarks, which not only promoted farming, mining, and wood products but also portrayed the region’s natural beauty. This postcard image was likely an outtake from his assignment to depict the area for Frisco sales material.

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage and James Fork of the White on www.beautifulozarks.com All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

 

Jan 272021
 

In the past, even when degraded by early agriculture, clear Ozark creeks were apparently valued enough to be photographed. Present-day agriculturalists also appreciate their charm and take much better care of them.

This real photo postcard from the early 1900s shows a small, unnamed Ozark stream. It is a puzzlement. Why would Scott’s (?) Photographic Studio in Tuscumbia waste film on a picture lacking a conventional subject or purpose? Even the name of the studio embossed on the card is unclear. But someone valued it. The back has glue residue indicating it was once saved in an album.

The sad, battered $2.50 postcard also documents that subsistence farming was hard on waterways. Though fragments of fencing are visible, it’s likely livestock in search of water caused some of these crumbling stream banks. There are little vegetation and few trees to prevent erosion either. Extensive chert beds still clog Ozark rivers but today’s permanent pastures do not add much gravel as the old-time row cropping practices did.

Today, this place, likely in Miller County Missouri, would look less raw, dreary, and desolate even in winter. Farmers now will rarely allow cattle access to streams. They are watered in troughs or ponds. Streambank trees and vegetation inhibit erosion. Economics has caused the conversion of plowed fields into pastures and there is an accompanying sensitivity of agriculturalists to ecological benefits. The Missouri Department of Conservation has pointed this out and acquainted landowners with USDA cost-sharing programs that pay for creating stream buffers.

 

Several Lens & Pen Press books discuss the evolution of the Ozark landscape and our effects on its rivers. Check out Damming the Osage and James Fork of the White on www.beautifulozarks.com All our books are now on sale for half price, postage paid. Order on www.dammingtheosage.com

Jan 012021
 

Not included in the cost/benefit analysis of Corps of Engineers water resource projects are the economic, social and emotional costs of those who are dispossessed of their land.

China’s monster dam projects displaced millions of farmers and covered hundreds (or more) villages. They caused the extinction of China’s 20-foot-long paddlefish species, a close relative of our own Polyodon spathula. Truman Dam and Reservoir didn’t cause the extinction of the smaller American paddlefish, but it did necessitate development of an artificial breeding program by the Missouri Department of Conservation. That dam destroyed the spawning beds of the spoonbill, as they are called by locals.

There was an uncounted human cost as well. Hundreds of families lost their land to Truman reservoir. Not only was their compensation based on land sale records, in many cases old (some farms had not changed hands in generations) providing misleading valuations, but comparable acreage was not available to replace their livelihood of farming. So they were essentially put out of business. Some of those operations had been in business for a century or more and had supported successive generations of a family. During that time many memories were formed and family traditions established, which were now severed.

Melanie Pruitt with her grandparents on the Sac River in 1980.
Praise to George Eastman whose 1-A Kodak first made the family snapshot feasible. Photos like this have preserved a record of pleasant, fleeting moments that might be forgotten without a picture.
Thanks to Melanie Pruitt for permission to reproduce this lovely image.

We received an email recently that poignantly describes this emotional cost of losing land to ill-justified “multipurpose” dam and reservoir schemes. With permission, here is the email from Melanie Pruitt with a wonderful snapshot of young Melanie with her grandparents on the Sac River arm of the headwaters of Truman Reservoir:

I read Damming the Osage from cover to cover in 72 hours after receiving. … It was beyond amazing. I have spent YEARS trying to explain to people the impact of this situation. And everyone always says, but it’s for flood control. My family was very much impacted by this and lost land to the Corps, but not nearly as much as many, many others impacted. I haven’t stopped talking about your book, as I now can fully explain to people something I always believed in but never knew the whole story or how to explain.

Attaching a pic of me with my grandparents from summer of 1980 on the Sac river, taken just west of new bridge on 82 highway in Osceola. The lake hadn’t completely filled yet (close though) but the color of the water was still blue, not brown. That’s what’s chilling. It’s the last pic I have of me and my grandparents together, as my grandpa passed away in January 1981. I could go on for eternity on what this river means to me, my family, etc. and the impacts of everything.

The Sac is now also dammed farther upstream at Stockton.

 

 

 

The story of Osceola and many of the colorful characters who lived there (including the James and Younger brothers) is woven through our 304-page book. It is now available for $17.50, half the original price, from our website 

Nov 142020
 

The holiday season is upon us all and BOOKS MAKE SPLENDID GIFTS!

We are pleased to offer a 50% discount on our current inventory with free shipping.
Click here to visit our storefront to order now.

Lover’s Leap Legends Price now: $17.50
James Fork of the White Price now: $17.50
Damming the Osage: Price now: $17.50
Mystery of the Irish Wilderness: Price now: $9.95
On the Mission in Missouri Price now: $10.50
The Beautiful and Enduring Ozarks Price now: $9.95
See the Ozarks: The Touristic Image Price now: $12.50

We have videos about our books on our Youtube channel.

 

Send check orders to:
Lens & Pen Press
4067 S. Franklin
Springfield, MO 65807

Nov 102020
 

On the front of the card is written “Scene in the Ozarks.” On the back is printed “Photo by Ayers, Neosho, Mo.”

On the cliff wall along a dirt road running along an unnamed Ozark river has been painted “Chesterfield Cigarettes.” At the end of the dirt road, you can barely make out an iron bridge spanning the river. Commercial graffiti like this is uncommon. Billboards sprang up in the 1930s along well-traveled highways but weren’t the kind of strenuous objections to debasing scenic views as there was back East. Occasionally, letters to the editor raised esthetic concerns but in New England states anti-billboard forces have gone farther, getting severe restrictions on outdoor advertising. The Federal Highway Beautification Act required states to maintain “effective control” of outdoor advertising, but even these rules are less restrictive than the regulations of Vermont and New Hampshire. Today, cliff faces like this are more likely to display spray-painted bad art and obscenities than product advertising.

###

Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)