DANCING AT PICNIC IN THE OZARKS, 1910s

 Beautiful Ozarks, James Fork of the White, See The Ozarks, Uncategorized  No Responses »
Jul 202022
 

Real photo postcard by George Hall

Unlike the posed hillbilly family real photo postcard we shared in June this is a straightforward document of the surviving folk culture on the upper White River, circa 1910.  Hillbilliness is based on these anachronisms.

Locals at this hoe-down appear to be wearing store bought clothes. Once the railroad made its way to southwest Missouri, Stone Countians had access to prêt-à-porter clothing just like the tourists.

Music and the moves it inspires have always been part of life in the Ozarks. Some of the Arcadian resorts built dance floors and natives joined in with visitors. Distinctions between locals and visitors were not always clear when melodies filled the air and boots and shoes started tapping. That tradition continues today in music festivals in the hills as well as regular weekly gatherings like Friday night parties at the old McClurg general store. The decades old weekly gathering was recently well represented at the Smithsonian Folklife Fest, on the Mall in Washington.

Lens & Pen Press is having a half-price sale for all titles. James Fork is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

View from Table Rock – pre-dam, 1920s

 James Fork of the White, Uncategorized  No Responses »
Jul 082022
 

Real photo postcard, 1920s, by Payne Johnson, Branson Mo.

The white lettering on the card can be hard to read. It says, “Table Rock Dam will be built across the big sand bar.” And so -eventually – it was.

Most bluffs along Ozark rivers are named. Table Rock Bluff had a relatively flat top (hence the name). The spot was accessible by road and afforded an impressive view of the pre-dam river valley. Fro generations, a visit to this overlook was on many vacationers’ itinerary.

In 1922, Empire District Electric applied for and received a preliminary permit to build a large dam at Table Rock, five miles southwest of Hollister. World War I had concluded satisfactorily, and Americans were optimistic about the prospects of better living through technology.

Still, it would be thirty-six more years before the lower James River became the James River arm of Table Rock Lake. For decades locals anticipated seeing machinery below building a huge dam. That this didn’t occur frustrated dam supporters and led them to question if the utility really intended to proceed. During that time utility companies constructed three hydroelectric dams within the Osage River system after Powersite Dam (1911-1913). None of the much-publicized private projects in the White River basin would go forward.

From James Fork of the White: Transformation of an Ozark River, 352 pages with more than 400 color illustrations, which examines the entire watershed of the famed Ozark float stream, a tributary of the White River. Lens & Pen Press is having a half-price sale for all titles. James Fork is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

EARLY ENTRY IN HILLBILLY CARICATURE

 James Fork of the White, Lens & Pen Press, See The Ozarks  No Responses »
Jun 082022
 

The idea the Ozarks is inhabited by primitives has been perpetuated in books by educated travelers like Henry Rowe Schoolcraft, in popular songs like the “Arkansaw Traveler,” and in souvenir postcards, like this one by otherwise-respected photographer George Hall.

We have incorporated many quotes by Lynn Morrow in our books. This paragraph from Shepherd of the Hills County: Tourism Transforms the Ozarks, 18802-1930s by Lynn Morrow and Linda Meyers-Phinney, so perfectly describes this posed photograph that we use it in its entirety. The book exquisitely describes the romanticism and sentimentality that pervaded early Ozark tourism. Like Mark Twain, the authors debunk popular culture without dismissing the people who embraced its mythologies.

Morrow and Meyers-Phinney reproduced the Hall postcard, captioning it, “Commercial stereotyping using the Arkansaw Traveler story.”

Twentieth century Arcadians came to the White River expecting to see rustics whom the national press labelled as hillbillies, since journalists and tourists had used the term from the very beginning of commercial tourism. Ozarkers quickly learned to cash in on the demeaning hillbilly image. If the tourists wanted to see hillbillies, then hillbillies made their appearances. Float-fishing guides were model hillbillies at the gravel bar camps, telling tall tales and manipulating their Mid-South dialect for the enjoyment of sportsmen; locals at resorts and the legendary sites of Harold Bell Wright’s novel took up the challenge of dramatizing the hillbilly stereotype for visitors.

As we found in the gift shop of the Shepherd of the Hills Ziprider Canopy Tours tower, the practice continues:

Lens & Pen Press is having a half-price sale for all titles. James Fork, Damming the Osage, Mystery of the Irish Wilderness and others are now available on our website at www.dammingtheosage.com for half the original price, postage paid.

CHARLEY BARNES, famed James River fishing guide, with brothers John and Herbert

 James Fork of the White, Lens & Pen Press  No Responses »
May 122022
 

Robert Page Lincoln profiled Charley Barnes, James River guide and john boat builder, in a long article titled “Floating Down the River” in the March 1948 issue of Fur-Fish-Game magazine.

The caption from the 1948 article reads, “This photo of Charley Barnes and his two brothers, Herbert and John, was taken in 1909 about the time that the Barnes float trip business at Galena, Mo., was at the height of its success. Barnes told Lincoln that the bass shown in this photo are the same average size as those taken now. Reading left to right are Herbert, John, and Charley Barnes.”

Charley later developed a distaste for trophy photos. Fishermen would keep more fish than they could eat to take an impressive picture. All the early river guides were supporters of the conservation movement and fish and game laws as they viewed the protection of natural resources to be in their business interests and encouraged an early form of catch-and-release.

Barnes was born near Mount Vernon in 1878. The family moved to a farm near the James three miles from Galena when he was eight. He and his brothers spent much time fishing this historic river and their catches were such that Barnes conceived of the idea of making boats and taking out fishing parties. At the age of 26, in 1904 Barnes started taking out his first parties.

Though his big city customers may have considered Barnes a “hillbilly” – he not only built the john boats they floated in, but with his brother he also owned the Galena Ford agency.

 

Lens & Pen Press is having a half-price sale for all titles. James Fork of the White, Damming the Osage, Mystery of the Irish Wilderness and other titles– all are now available on our website at www.dammingtheosage.com for half the original price, postage paid.

“Largest ever” – James River float trip for L. B Price Mercantile, 1923

 James Fork of the White, Lens & Pen Press  No Responses »
Apr 132022
 

Real photo postcard, by Fox. 1923

The L.B. Price Mercantile Company was incorporated 18 February 1898 and almost made it to 100 years, being dissolved in 1993. In its heyday it was a “great business house,” whose main offices and storerooms were at 13th and McGee in Kansas City. According to an undated (but likely early 1900s) article in the Kansas City Star profiling the firm, L.B. Price had retail stores selling “household specialties” across the southeast and into the Midwest and employed more than 600 people.

This 1923 photo most likely shows men of the company’s management. A short bio of L. B. Price called him one of Kansas City’s “millionaire merchants.” We speculated in James Fork of the White (p. 249) that the large, relaxed group might have been traveling salesman (then called drummers). However, the article lauded the company for annually bringing its managers from around the country to Kansas City to report on their year and plan the future.  Considering that, it’s more likely that this “largest ever” James River float trip might have been a reward to managers for a successful year of sales.

Urban clientele like this were no doubt entertained by the tall tales and witticisms of the colorful local guides. Doubtlessly the businessmen referred to them as hillbillies, but not in a derogatory fashion.

 

From James Fork of the White: Transformation of an Ozark River, 352 pages with more than 400 color illustrations, which examines the entire watershed of the famed Ozark float stream, a tributary of the White River. Lens & Pen Press is having a half-price sale for all titles. James Fork of the White is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

Powersite Dam On The White River

 James Fork of the White, See The Ozarks, Uncategorized  No Responses »
Feb 122022
 

Finished in 1913, Powersite was Missouri’s first venture into hydropower. A consortium of St. Louis investors engaged the Ambursen Hydro-Electric Construction Company of Boston to build one of their patented hollow, reinforced concrete structures. As would be the case eighteen years later on the Osage River, the original investors were replaced by a more substantial concern. New York capitalist Henry Doherty took over the project ultimately adding it to his Empire Electric Group, part of his mammoth Cities Services holding company.

Hundreds of these run-of-the-river dams with no storage capacity had been built back East where streams with adequate fall ran near populated areas. Missouri was late in developing hydropower because suitable Ozark rivers were far from cities. An incentive to build Powersite Dam was the opportunity to sell electricity to the mines of the Joplin lead district. Supplying power to St. Joseph Lead Co. in the St. Francois Mountains would be a consideration in the decision to build Bagnell Dam.

 

Powersite was the first dam on the storied White River. James Fork of the White: Transformation of an Ozark River, 352 pages with more than 400 color illustrations, examines the entire watershed of the famed Ozark float stream, a tributary of the White River. Lens & Pen Press is having a half price sale for all titles. James Fork is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

ANNOUNCING A HOLIDAY BOOK SALE!

 Beautiful Ozarks, Damming the Osage, Irish Wilderness, James Fork of the White, Lover's Leap Legends, See The Ozarks, Uncategorized  1 Response »
Nov 142020
 

The holiday season is upon us all and BOOKS MAKE SPLENDID GIFTS!

We are pleased to offer a 50% discount on our current inventory with free shipping.
Click here to visit our storefront to order now.

Lover’s Leap Legends Price now: $17.50
James Fork of the White Price now: $17.50
Damming the Osage: Price now: $17.50
Mystery of the Irish Wilderness: Price now: $9.95
On the Mission in Missouri Price now: $10.50
The Beautiful and Enduring Ozarks Price now: $9.95
See the Ozarks: The Touristic Image Price now: $12.50

We have videos about our books on our Youtube channel.

 

Send check orders to:
Lens & Pen Press
4067 S. Franklin
Springfield, MO 65807

Tourist misidentifies character from “The Shepherd of the Hills” saga

 James Fork of the White, See The Ozarks, Uncategorized  No Responses »
Oct 062020
 

Garber was a “flag stop” on the Missouri Pacific line, not far from Branson. The train would stop when there were railroad ties to pick up or deliveries for the post office, which also sold groceries, patent medicine, and tobacco. Old Matt and Aunt Molly (the Rosses) welcomed tourists and would sign postcards and entertain them with stories of the old days in the White River hills, even though they were themselves relatively recent arrivals themselves from back East.

This extremely sharp real photo postcard, circa 1918, has an X over the man with a hat and goatee on the far right. On the back is typed, “I saw Uncle Ike as we passed on the train He is exactly as this picture shows him. Near here is the wonderful cave, but something like 15 or 20 miles from Hollister.” The man with the X is not Uncle Ike in Harold Bell Wright’s novel. Across the front of the store is painted, “J.K. Ross General Store.”

The man on the porch with the X above him is in fact J. K. Ross, who was reputed to be Harold Bell Wright’s model for the title character of his melodramatic novel, which launched tourism in the Branson area. Uncle Ike, a minor character in the book, was said to be based on Levi Morrell, who also was accessible to tourists at his post office at Notch, about five miles from Garber. Levi was stockier than J.K. Ross and had a full beard. Wright spent seven summers in the Branson area but denied that he had explicitly based any characters on locals. Both Ross and Morrell, and many other locals, claimed the book’s characters as their own and enjoyed the notoriety. Many of their graves have both their Christian and their fictional names engraved on their tombstones.

###

Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Webb’s Mule Factory – Branson

 James Fork of the White, See The Ozarks  No Responses »
Sep 092020
 

Webb appears to have a tattoo on his left arm. We can’t quite make it out, but there’s a good chance he was in the Navy as military symbols were dominant motifs in ink then.

On the front of this real photo postcard, circa 1940, is written “H. P. Webb, Originator of “Missouri Mule.” We vaguely remember seeing these handmade souvenir mules in junk shops or antique malls in the past. After finding this postcard, if we see another one we’ll buy it.

The Missouri mule has faded from public memory. Mules, which are a sterile hybrid of horses and donkeys, were known for their strength, stamina, and intelligence – and for their willful obstinance, contrariness. Somehow this aligned with the popular image of Missourians and the mule was a symbol of rural Missouri. They are more a curiosity than a common farm animal today. Awareness of them has retreated. Locally produced souvenirware all but vanished in the 1950s with the availability of much cheaper Japanese giftware, some of which was hand-painted and quite attractive originally but became slurred as time went on. Locally made crafts are sold today as art, not souvenirs.

###

Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Ozark Beach – Anglers on the lawn preparing to fish Lake Taneycomo

 James Fork of the White, See The Ozarks  No Responses »
Aug 072020
 

Real Photo postcard, postmarked July 1, 1918. Real Photo Postcards of this era are often exceedingly detailed and sharp. They are actual photographs produced from a negative taken with a postcard camera, not photomechanical reproductions. The amount of silver on the paper was adequate to produce exquisitely realistic images

Visions of vacations past. Here, three cane-pole nimrods and one fisherman with a rod and reel lounge on the lawn at Ozark Beach. Maybe they’re telling tall tales of the one that got away, or discussing which holes in Lake Taneycomo will offer up the best catch. They seem to be objects of curiosity to a gaggle of tourists. The note on the back from Barbara to Miss Hattie in Kansas City reads in part, “we rode 20 miles from Branson on the boat. We were so tired when we got here. This is a picture of the Hotel we are stopping at … We went fishing last night … Will see you soon.”

Ozark Beach was a very early resort within walking distance to the low dam that created Lake Taneycomo. Recently we’ve seen Missouri’s first hydroelectric project, which closed in 1916, referred to as Ozark Beach Dam. We have no idea why. Its original name was Powersite. Why the change, we don’t know.

###

Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

 Older Entries  Newer Entries