Jun 082022
 

The idea the Ozarks is inhabited by primitives has been perpetuated in books by educated travelers like Henry Rowe Schoolcraft, in popular songs like the “Arkansaw Traveler,” and in souvenir postcards, like this one by otherwise-respected photographer George Hall.

We have incorporated many quotes by Lynn Morrow in our books. This paragraph from Shepherd of the Hills County: Tourism Transforms the Ozarks, 18802-1930s by Lynn Morrow and Linda Meyers-Phinney, so perfectly describes this posed photograph that we use it in its entirety. The book exquisitely describes the romanticism and sentimentality that pervaded early Ozark tourism. Like Mark Twain, the authors debunk popular culture without dismissing the people who embraced its mythologies.

Morrow and Meyers-Phinney reproduced the Hall postcard, captioning it, “Commercial stereotyping using the Arkansaw Traveler story.”

Twentieth century Arcadians came to the White River expecting to see rustics whom the national press labelled as hillbillies, since journalists and tourists had used the term from the very beginning of commercial tourism. Ozarkers quickly learned to cash in on the demeaning hillbilly image. If the tourists wanted to see hillbillies, then hillbillies made their appearances. Float-fishing guides were model hillbillies at the gravel bar camps, telling tall tales and manipulating their Mid-South dialect for the enjoyment of sportsmen; locals at resorts and the legendary sites of Harold Bell Wright’s novel took up the challenge of dramatizing the hillbilly stereotype for visitors.

As we found in the gift shop of the Shepherd of the Hills Ziprider Canopy Tours tower, the practice continues:

Lens & Pen Press is having a half-price sale for all titles. James Fork, Damming the Osage, Mystery of the Irish Wilderness and others are now available on our website at www.dammingtheosage.com for half the original price, postage paid.

Feb 122022
 

Finished in 1913, Powersite was Missouri’s first venture into hydropower. A consortium of St. Louis investors engaged the Ambursen Hydro-Electric Construction Company of Boston to build one of their patented hollow, reinforced concrete structures. As would be the case eighteen years later on the Osage River, the original investors were replaced by a more substantial concern. New York capitalist Henry Doherty took over the project ultimately adding it to his Empire Electric Group, part of his mammoth Cities Services holding company.

Hundreds of these run-of-the-river dams with no storage capacity had been built back East where streams with adequate fall ran near populated areas. Missouri was late in developing hydropower because suitable Ozark rivers were far from cities. An incentive to build Powersite Dam was the opportunity to sell electricity to the mines of the Joplin lead district. Supplying power to St. Joseph Lead Co. in the St. Francois Mountains would be a consideration in the decision to build Bagnell Dam.

 

Powersite was the first dam on the storied White River. James Fork of the White: Transformation of an Ozark River, 352 pages with more than 400 color illustrations, examines the entire watershed of the famed Ozark float stream, a tributary of the White River. Lens & Pen Press is having a half price sale for all titles. James Fork is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

Nov 102021
 

In Damming the Osage, we wrote about the connection between Col. R. G. Scott and Robert M. Snyder, who built Ha Ha Tonka.

Colonel R. G. Scott came from Iowa to the Ozarks around 1890 where he futilely attempted to promote a railroad linking Jefferson City and Springfield. He and a friend, Major R. D. Kelly, bought or optioned a large parcel of land around Gunter Spring from Jack Roach. His son, Sydney Roach, was an attorney on the Snyder legal team.

Likely, it was the Colonel who built the low dam that created the lake that would be subsumed by Lake of the Ozarks. Possibly, it was he who stocked it with rainbow trout. Probably, it was Scott who coined the name Ha Ha Tonka, although he claimed a Captain Lodge learned that name from a group of visiting Osage Indians. Certainly, it was Colonel Scott who published the first article extolling Ha Ha Tonka’s natural wonders in an 1898 issue of Carter’s Magazine.

A 1929 article in The Springfield Press (Oct. 19), “Pioneer Enthusiast Of the Ozarks, Who Dreamed of Dams, Hopes to Live to See Vision Accomplished Fact,” confirms our supposition: “(Ha Ha Tonka was) the first development in the Camden county Ozarks and came through the vision of Colonel Scott, who sold the land and the idea to the late R. M. Snyder, and incidentally it resulted in Scott building the first dam in the Ozarks to form Ha-Ha-Tonka lake. “

“Colonel Scott said he named the Snyder tract Ha-Ha-Tonka because it is the Osage Indian name for Laughing Water.” This was the beginning of our awareness of the bogus nature of many “Indian legends,” which some years later led us to research and write our recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco.

After the death of R.M. Snyder as the backed-up Osage obliterated Ha Ha Tonka’s small lake, the sons battled Union Electric for compensation for damages for their lost trout lake. From 1930 to 1936, trials and appeals continued in the courts. At his death on February 9, 1937, Robert McClure Snyder, Jr. was planning an appeal to the Supreme Court.

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir.

Lens & Pen Press is having a half price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

May 132021
 

Real photo postcard by Thomas: “Excursion—Osceola to Monegaw. June 20 – 09”

Nearly a century before Lake of the Ozarks’ infamous Party Cove, people found entertainment on the free-flowing Osage. Small steamboats, some pushing barges, delivered large parties from Osceola to Monegaw Springs, eight miles upstream, after commercial river traffic had almost disappeared.

The effort to finance a railroad from Osceola to Monegaw Springs failed. Attempts to capitalize on Monegaw’s celebrated springs have been persistent, but largely unrewarded. Its geographic isolation has been problematic, and later public recognition that drinking spring water had no medicinal benefit sealed its fate.

Even if Monegaw ultimately fizzled as a spa and resort, it was clearly a fun place to visit in the early 1900s. Recreationalists back then dressed more formally but from what we understand alcoholic beverages were equally popular (some things don’t change).

 

From Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir. Lens & Pen Press is having a half-price sale for all titles. Damming the Osage is now available on our website at www.dammingtheosage.com for $17.50 (half the original price of $35), postage paid.

 

Nov 142020
 

The holiday season is upon us all and BOOKS MAKE SPLENDID GIFTS!

We are pleased to offer a 50% discount on our current inventory with free shipping.
Click here to visit our storefront to order now.

Lover’s Leap Legends Price now: $17.50
James Fork of the White Price now: $17.50
Damming the Osage: Price now: $17.50
Mystery of the Irish Wilderness: Price now: $9.95
On the Mission in Missouri Price now: $10.50
The Beautiful and Enduring Ozarks Price now: $9.95
See the Ozarks: The Touristic Image Price now: $12.50

We have videos about our books on our Youtube channel.

 

Send check orders to:
Lens & Pen Press
4067 S. Franklin
Springfield, MO 65807

Nov 102020
 

On the front of the card is written “Scene in the Ozarks.” On the back is printed “Photo by Ayers, Neosho, Mo.”

On the cliff wall along a dirt road running along an unnamed Ozark river has been painted “Chesterfield Cigarettes.” At the end of the dirt road, you can barely make out an iron bridge spanning the river. Commercial graffiti like this is uncommon. Billboards sprang up in the 1930s along well-traveled highways but weren’t the kind of strenuous objections to debasing scenic views as there was back East. Occasionally, letters to the editor raised esthetic concerns but in New England states anti-billboard forces have gone farther, getting severe restrictions on outdoor advertising. The Federal Highway Beautification Act required states to maintain “effective control” of outdoor advertising, but even these rules are less restrictive than the regulations of Vermont and New Hampshire. Today, cliff faces like this are more likely to display spray-painted bad art and obscenities than product advertising.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

Oct 062020
 

Garber was a “flag stop” on the Missouri Pacific line, not far from Branson. The train would stop when there were railroad ties to pick up or deliveries for the post office, which also sold groceries, patent medicine, and tobacco. Old Matt and Aunt Molly (the Rosses) welcomed tourists and would sign postcards and entertain them with stories of the old days in the White River hills, even though they were themselves relatively recent arrivals themselves from back East.

This extremely sharp real photo postcard, circa 1918, has an X over the man with a hat and goatee on the far right. On the back is typed, “I saw Uncle Ike as we passed on the train He is exactly as this picture shows him. Near here is the wonderful cave, but something like 15 or 20 miles from Hollister.” The man with the X is not Uncle Ike in Harold Bell Wright’s novel. Across the front of the store is painted, “J.K. Ross General Store.”

The man on the porch with the X above him is in fact J. K. Ross, who was reputed to be Harold Bell Wright’s model for the title character of his melodramatic novel, which launched tourism in the Branson area. Uncle Ike, a minor character in the book, was said to be based on Levi Morrell, who also was accessible to tourists at his post office at Notch, about five miles from Garber. Levi was stockier than J.K. Ross and had a full beard. Wright spent seven summers in the Branson area but denied that he had explicitly based any characters on locals. Both Ross and Morrell, and many other locals, claimed the book’s characters as their own and enjoyed the notoriety. Many of their graves have both their Christian and their fictional names engraved on their tombstones.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Sep 092020
 

Webb appears to have a tattoo on his left arm. We can’t quite make it out, but there’s a good chance he was in the Navy as military symbols were dominant motifs in ink then.

On the front of this real photo postcard, circa 1940, is written “H. P. Webb, Originator of “Missouri Mule.” We vaguely remember seeing these handmade souvenir mules in junk shops or antique malls in the past. After finding this postcard, if we see another one we’ll buy it.

The Missouri mule has faded from public memory. Mules, which are a sterile hybrid of horses and donkeys, were known for their strength, stamina, and intelligence – and for their willful obstinance, contrariness. Somehow this aligned with the popular image of Missourians and the mule was a symbol of rural Missouri. They are more a curiosity than a common farm animal today. Awareness of them has retreated. Locally produced souvenirware all but vanished in the 1950s with the availability of much cheaper Japanese giftware, some of which was hand-painted and quite attractive originally but became slurred as time went on. Locally made crafts are sold today as art, not souvenirs.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Aug 072020
 

Real Photo postcard, postmarked July 1, 1918. Real Photo Postcards of this era are often exceedingly detailed and sharp. They are actual photographs produced from a negative taken with a postcard camera, not photomechanical reproductions. The amount of silver on the paper was adequate to produce exquisitely realistic images

Visions of vacations past. Here, three cane-pole nimrods and one fisherman with a rod and reel lounge on the lawn at Ozark Beach. Maybe they’re telling tall tales of the one that got away, or discussing which holes in Lake Taneycomo will offer up the best catch. They seem to be objects of curiosity to a gaggle of tourists. The note on the back from Barbara to Miss Hattie in Kansas City reads in part, “we rode 20 miles from Branson on the boat. We were so tired when we got here. This is a picture of the Hotel we are stopping at … We went fishing last night … Will see you soon.”

Ozark Beach was a very early resort within walking distance to the low dam that created Lake Taneycomo. Recently we’ve seen Missouri’s first hydroelectric project, which closed in 1916, referred to as Ozark Beach Dam. We have no idea why. Its original name was Powersite. Why the change, we don’t know.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)

 

Aug 032020
 

Real photo postcard, circa 1910. Nothing on the back. Scratched in the negative: “Roughing in the Ozarks.”

The more we looked at this recently acquired postcard, the more we puzzled over it. What was going on? Who were the people? Locals or city folks? The clothes look more store-bought than homespun.  Was it all a setup? It’s not your standard “Life of the hillbillies” postcards sold at tourist shops. So we sent it to Lynn Morrow, Ozarks historian extraordinaire, to ask his opinion. He replied:
What a great postcard, new one to me.  My guesses include some of yours:
I’d guess they are from an Ozark town, the clothes are too good for a subsistence farmer; the “Roughing it in the Ozarks” was a common phrase in sporting and urban newspapers of the day, the traveling(?) photographer and/or locals are just imitating it & I’ve seen it elsewhere, but it is another hint of using an urban influence in the backwoods;
They aren’t too far from town or a sawmill with a dimension lumber shack (it looks like a tree rather than a stove pipe in the background) and the setting looks “Novemberish” to me for the campout; the woman in the background on the horse must be local, and maybe she brought the clothes’ pins to hang the textile on a line that is attached to the tree on the left;
The “T-pee” was popular with the emerging scouting and rural life movement that often included something “Indian” in costume, dress, etc.; the stripped wagon-type tent is surely another mail order product; the one girl in middle looks like she’s doing an Annie Oakley imitation;
The boy may be sitting on a “picnic” table, usually not seen in urban sportsmen images; the box on the ground behind the man on right might be a dry goods box of canned food and/or gear brought to the site;
but, puzzling to me is the apparent bamboo or cane poles that could be fishing poles, but why are they bound/wrapped high up unless that was just for traveling?
Regardless of guesses, the card is a keeper and should be published!
KWTO (Keep Working for the Ozarks),
Lynn
Lynn Morrow is the retired director of the Missouri State Archives’ Local Records Program, Missouri State University alum, and an Ozarks historian. His book, Shepard of the Hills Country: Tourism Transforms The Ozarks, occupies prime shelf space in our office and is festooned with post-it notes.
If anyone knows about it or has another interpretation please let us know.

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Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble. You can see sample pages of our most recent book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com.

Lover’s Leap Legends won the bronze medal in the popular culture division of the 2020 Independent Publishers’ Book Awards, an international competition. This year there were entries from forty-four states, seven Canadian provinces and fifteen other countries.

James Fork of the White: Transformation of an Ozark River was a finalist in Regional Non-fiction in the 2019 Indie Book Awards. Lens & Pen Press’s earlier river book, Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir, was awarded a silver medal by the Independent Publishers’ Book Awards in 2013.)