THE LATEST – AND BEST YET – TAKE ON THE OZARKS. Brooks Blevins’ A History of the Ozarks, Vol. 1 The Old Ozarks

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Sep 012018
 

The ability to integrate anecdotes into concepts isn’t universal among novelists, much less historians. Even rarer is the talent for melding personal observations with academic studies. Brooks Blevins is a writer with both these gifts. This first installment of a trilogy on the Ozarks sets a new standard for the region’s history. Provocatively, he challenges the long-held idea that the Ozarks is an “arrested frontier,” but doesn’t yield to the temptation of revisionists to dismiss all earlier thinking on the subject.  Inappropriately applied concepts are part of our human past.

The seeds of Ozark primitivism came from beyond its borders. Some Ozarkers even watered this weed. They did so for complicated reasons—not the least of which was their inability to devise an original, more realistic narrative to explain their sometimes-difficult existence in a place with negligible political power and an original economy based on small-scale agriculture and extractive industries. Lack of originality in matters of identity creation—either individually or collectively, isn’t unique. It’s unlikely by this late date these deep, romantic roots can be ripped out. Occasional pruning is in order and Dr. Blevins has sharp shears.

A History of the Ozarks, Vol. 1: The Old Ozarks is available at Barnes & Noble in Springfield, and on amazon.com in hardcover ($31.45) and in Kindle editions ($14.95)

 

  • ISBN-10: 0252041917
  • ISBN-13: 978-0252041914

 

What lies beneath…

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Aug 292018
 

1940s Corps of Engineers booklet: “Table Rock Reservoir Area, White River Missouri and Arkansas, and how the U.S. buys it.”

Two boys cast fishing lines from their perch on the rocky slope of the “bath tub ring” caused by fluctuating water levels of artificial impoundments. They wait for a nibble watching the flat water of Table Rock Reservoir, perhaps wondering where the fish are hiding and what lies beneath the stilled waters of the lake that covers the once mighty White River.

Folks living in the White River and James River valleys had had fifty years to come to terms with the inevitability of losing working farms, grist mills, tiny towns and sylvan groves to rising waters when the dam closed. Still, this booklet by the Corps of Engineers seems particularly insensitive to the losses rural people faced as they gave up their land and lifestyles to the massive project. They do acknowledge that “the long-established procedures (for buying land in the project area) are not well understood by many in the reservoir area where land must be obtained in order to obtain storage to impound and control flood waters . . . ”

Tom Koob’s book, Buried by Table Rock, paints a picture of the life once lived in the valleys of the White and James rivers.

James Fork of the White and other Lens & Pen books are available on this website, on amazon.com and at Barnes & Noble.

Virgin Bluff Dam-That-Never-Was

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Aug 092018
 

Real photo postcard by George Hall circa 1915. Virgin Bluff was a landmark on the Galena to Branson float. While tame compared to the shoals of the upper reaches of some Ozark rivers, the rapids just before the big bluff were sporty for the James.

While working on our last book, James Fork of the White, we encountered mentions of Virgin Bluff and a crazy scheme to drill a hole through it to connect with the James River miles downstream to generate hydroelectric power. The wild scheme envisioned by William Henry Standish (a.k.a. General Standish) about 1908 was to build a dam to back up the James and drill a tunnel from the bluff, through the hills to come out 30+ miles downstream. The river’s water coursing through that tunnel (rather than along what would become miles of dried-up riverbed) would turn generators to produce electricity to power Springfield. Stories of Standish’s fundraising and project development made local newspapers. He sought and found local investors, started preliminary work and pushed bills through Congress (despite President Teddy Roosevelt’s veto of one) in pursuit of wealth and fame.

Hustle as he did, however, the project was not to be. A short notice in a June 19, 1913 Ste. Genevieve paper is the only mention we found of this bizarre undertaking’s collapse:

Ozark Dam Site Changed. Springfield. – The Virgin Bluff Project involving the erection of a dam across James river and the digging of a tunnel which would shorten the course of the river nearly 30 miles has been temporarily abandoned, pending the possible obtaining of legislative authority to construct a dam near Hollister.

Early talk of a big dam above Taneycomo—the project that became Table Rock a half century later–finished off the troubled and underfinanced Virgin Bluff tunnel dam.

A more detailed account is included in James Fork of the White: Transformation of an Ozark River.

James Fork of the White is available on this website, on amazon.com and at Barnes & Noble.

The Language of Trees – Steve Wiegenstein’s compelling new novel

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Jul 292018
 

The Language of Trees is the third in Steve Weigenstein’s historical novel trilogy about the people, the ideals and the realities of the democratic community of Daybreak, Missouri, before, during and after the Civil War. Readers who have followed Charlotte Turner and others through settlement, war, bushwhackers, love and loss will find this new ‘chapter’ in the saga a lively and rewarding read.

Each chapter is written in the voice of one of the main characters, but these are not jump cuts. They flow evenly through the narrative, bending to each point of view, but following the arc of the story. Minor characters are woven through the events and actions of the main characters. Even Henry Rowe Schoolcraft’s 1821 Journal of a Tour to the Interior of Arkansas and Missouri (a familiar work to Ozarks historians) is  a minor player, setting a tone and serving as the gateway for one ‘outsider’ to find his way into the heart of Daybreak. Historical in its setting, the narrative deals with universal passions (greed, lust, regret) and contemporary challenges (exploitation of resources, power grabs and callous ambitions).

Wiegenstein captures the changes in outlook brought on by age, loss, experience and the implacable intransigence of human character that, more than any political or ideological conflict, affected the survival of such communities across time and country. Charlotte Tuner, one of the “originals,” and Josephine Mercadier, of the second Daybreak generation, two strong and principled women, drive the narrative just as they shape and knit together the community of Daybreak.

Wiegenstein’s focus on utopian societies is itself intriguing. In the nineteenth century, many groups came together based on practical, ideological, political, religious or common cultural ties, seeing in the New World landscape a tabula rasa on which to write their own mission and goals. In that context success or failure might hinge on personal or group weaknesses and strengths as much as their inherent friction with old ways or the weaknesses of human character. Might. But those frailties and hard rock traditions broke or significantly modified most dreams.

Wiegenstein’s skill in weaving a story fraught with passion, greed, ambition and idealism pulls the reader into the narrative. Learning that comes with age, pain, joy and experience both frees and surprises reader and characters alike. One comes away from The Language of Trees with a sense that Charlotte, Newton, Josephine and J.M. (John Malcolm – although he didn’t claim his given names) Bridges would carry on. The community might even survive… at least the reader can hope there is still more to the story.

The Language of Trees was published by Blank Slate Press in St. Louis. It is available on amazon.com and at Barnes & Noble and independent publishers.

James River’s Virgin Bluff and our Lover’s Leap Legends project

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Jul 182018
 

Our new project, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Te of Waco, may not seem on the surface to be a logical offshoot of past projects—but in fact it is. Inspiration from our hero, Mark Twain, and finding in each of our river books their own #Lover’sLeap legends and locations pulled us logically to this new subject.

Real photo postcard by George Hall circa 1915. Virgin Bluff was a landmark on the Galena to Branson float. While tame compared to the shoals of the upper reaches of some Ozark rivers, the rapids just before the big bluff were sporty for the James.

Research on the James Fork of the White brought us to #VirginBluff, a spectacular, sheer rock face on the James, that was a landmark on the Galena-to-Branson float. Johnboats floated through a long, deep, fish-filled pool along its face, then the current pulled the boats into the sporty Virgin Shoals.

This bluff came with its own Lover’s Leap legend – or so we were told. Moon Song, the lovely daughter of an Indian chief, threw herself from this imposing cliff when her father threatened to kill the handsome, gold-seeking Spanish soldier she loved. Angry and heartbroken, her father ordered the medicine man to place a curse on the tragic place. Moon Song’s anguished cries can yet be heard on dark nights, some say. Before the lake the shoals below claimed the lives of several floaters.

The Virgin Bluff dam-that-never-was may have been victim to the medicine man’s curse. William Henry Standish envisioned a dam on the river and a tunnel through the hills from the bluff to shoot the pooled water on a 40-foot drop over several miles to hit turbines to spin generators to create electricity for Springfield. This crazy scheme would have dried up 30+ miles of the river.

A November 23, 1958 Springfield News-Leader feature, “The Indian Curse That Killed Dam Project,” by Gerald H. Pipes, is a rare remembrance of Standish’s plan. Pipes did acknowledge the adverse financial climate of the times (just before World War I), but speculated the abandonment of Virgin Bluff dam might have been due to workplace accidents related to the Indian legend:

Today the lonely “cries” of Moon Song may still be heard along the bluffs, but the dangerous shoals will soon be gone, for they will become a part of mammoth Table Rock Lake. The waters will climb over and hide the Indian maiden’s grave and the scars left by the dam-builders. But will they erase the curse placed on the bluff by Moon-Song’s chieftain father? Only time will tell.

James Fork of the White, page 275

Today, the bluff rises above the flat waters of #TableRock Reservoir. A fall from this bluff is still dangerous; the view from its heights has changed considerably. The legend lingers in the name, Virgin Bluff, and a small winery on the bluff once produced several varieties including Moon Song Blush, Virgin Bluff Red, and Virgin Bluff White.

James Fork of the White and all our books are available on this website, on amazon.com and at Barnes & Noble.

“Staff” of Jim Owen’s Float Service

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Jul 112018
 

Owen and his band of guides, raconteurs and artist Steve Miller hang out in front of Owen’s Hillbilly Theater in downtown Branson.

Owen’s roster included many who had pioneered floating the James and White back in the days when city folks detrained at Galena. Few guides worked full time. Some continued to offer their services to Galena operators. The Branson businessman’s aggressive advertising reeled in the most clients and in the twenty-six years he packaged trips he would use almost every river man at one time or another. Jim Owen became an institution, but some of his guides had reputations for their fishing acumen, campfire cooking skills, or country wit. A jokester himself, Owen encouraged colorful rustic behavior that fulfilled visitors’ expectations of being escorted downstream by a tractable variety of hillbilly.

James Fork of the White (p. 235)

James Fork of the White is available on this website, on amazon.com and at Barnes & Noble.

BURIED BY TABLE ROCK – fascinating reveal of life before the lake

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Jul 022018
 

Most often reviews of books are done when the book is first published. So this review of Buried by Table Rock: Tales, anecdotes and facts about everything covered by the lake is late in coming, although Koob has recently published a revised edition. However, we discovered this small volume as we researched James Fork of the White, and it has been more than useful. It is a modestly published book, but an invaluable resource.

Tom Koob dug into newspapers, government records and—most importantly—he talked with the people, drove the roads, climbed the remaining hills, found the remnants of summer camps along the river. He gathered rare images to illustrate both past and present reality. He scanned the flat waters covering a once-peopled landscape and searched out the families and towns that once occupied it. River guides, mill families, and farmers recalled life with a river that gave them recreation, transportation, danger and sustenance. Nostalgic memories are tinged with regret at the loss of their river.

He identifies the visible remnants of places he describes in the text:

“Two small islands can be seen to the north from the Long Creek Bridge. The larger island is the top of Goat Hill, the site of the small town of Oasis. The smaller island, where a handful of trees cling tenaciously, is the peak of the slope that rose behind the town.”

Our own environments have become more homogeneous. We have Homeowners Association suburbs with architectural and landscaping covenants; uniformity of fashion in national chain department store shopping centers; even local government policies aspiring to emulate those of major urban centers—sameness creeps over daily life and we hardly notice. But the lives and landscape Koob describes are regionally specific and adapted to Ozarks geography. As he said so clearly:

I have come to realize though, that the real story is something else. It is the story of a rugged land and rugged people. It is a tale of a somewhat isolated culture thrust into a modern world not necessarily of its own choosing.

The final pages have photos of the rising waters covering landmarks in the White River basin—Stallions Bluff, the Bridge at Mash Hollow at Cape Fair, and the James River Bridge at Cape Fair.

Those who read Tom Koob’s book will never look at Table Rock Reservoir the same way again.

You can find Tom Koob on Facebook  His newest book is a historical novel, Virgin Bluff. He has just published a revised edition of Buried by Table Rock. His books (The History of Fishing Table Rock; Buried by Table Rock; and Enon to Radium Springs) are available on Amazon Kindle

Women Anglers’ Evening Campfire on Owen’s Famous James River Float Trip

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Jun 092018
 

Floating was never an exclusively male sport. Fishing may have been the justification for a five-day, four-night float on the James River, but the evening campfire was its own sensual experience – a time for the universal pleasures of freshly caught fried fish, tall tales, and leisurely conversations.

James Fork of the White is available on this website, on amazon.com and at Barnes & Noble.

Why would a town up and move?

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Jun 022018
 

A good question. One asked and answered in a recent article by The Buffalo Reflex – because of dams built on the rivers that created lakes that swallowed the townsite. It’s as simple and complex and painful to those forced to move as that.

View of Bagnell Dam under construction

This first installment tells the story of Linn Creek on the Osage River, which we covered extensively in Damming the Osage.

The next installment will cover the move of Forsyth from the mouth of Swan Creek on the White River to a high bluff above what became the upper reaches of Bull Shoals Reservoir.

On our Damming the Osage blog, we posted a number of entries on Linn Creek.  Here are just a few:

Steamboat’s A-comin’! The Ruth at Linn Creek

Old Linn Creek 1909 – before Bagnell Dam

Old Linn Creek – flooded by the Osage

Steamboat landing in Linn Creek, 1911

Damming the Osage: The Conflicted Story of Lake of the Ozarks and Truman Reservoir is available on this website, amazon.com and at Barnes & Noble.

 

 

WORLD TURTLE DAY!! Let’s Shellebrate!

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May 232018
 

Returning a road-rescue turtle to a more suitable habitat.

From Turtle Spirit Animal:

The American continent is referred to as “Turtle Island” in the Native American folklore. It is said that the Turtle carried the weight of the land of that continent on her back. This image is also present in Hindu and Chinese cultures, where the turtle is the animal carrying Mother Earth and holding the world in balance.

Having the turtle as totem means that you have an affinity with the ancient wisdom of the earth. You are naturally tuned into the elements, land, plants, people and animals. You carry your home on your back figuratively speaking and feel at ease wherever you are.

From Wikipedia:

Turtles are diapsids of the order Testudines (or Chelonii[3]) characterized by a special bony or cartilaginous shell developed from their ribs and acting as a shield.[4] “Turtle” may refer to the order as a whole (American English) or to fresh-water and sea-dwelling testudines (British English).[5] The order Testudines includes both extant (living) and extinct species. The earliest known members of this group date from 220 million years ago,[1][6] making turtles one of the oldest reptile groups and a more ancient group than snakes or crocodilians. Of the 356 known species[2] alive today, some are highly endangered.[2]

Find out more about the annual celebration of our hard shelled reptilian friends at the World Turtle Day Facebook page

They’re in the news too First Sea Turtle Nest of the Season found on World Turtle Day;

 

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