Apr 052023
 

Souvenir cotton card table cover designed and printed by Steve Miller, 1940s.

Artist Steve Miller created most of Jim Owen’s advertising. He also designed the logo for an Owen dairy milk bottle which is today a pricey collector’s item. Miller was from Kirksville and after teaching in Mexico and Columbia, Missouri, became enamored with the Ozarks, setting up shop in Branson in 1941. Probably the card table sized cloth map, depicting the rustic recreational attractions of the Shepherd of the Hills Country, is from the ‘40s. We’ve found it printed in both red and blue.

Miller’s hillbilly motifs are rendered with the graphic sophistication of a New Yorker cartoonist. More than any artifact in our collection it this textile illustrates the connectivity of the various country attractions of early Branson. The place’s rusticity is artfully depicted. Miller was a fan of days and ways gone by but had a modern design flare. Cartooning gave the old-time attractions a pop culture, post-War look. “Nostalgia Heightens Interest in Ozarks” was the headline of a 1972 Springfield News-Leader article about a speech given by Miller, then the artist-in-residence at the School of the Ozarks.

Miller was mindful of the region’s traditional image. In 1949, he created the giant Nativity scene still used at Christmas on the bluff across Lake Taneycomo from downtown Branson. He joined the staff at the School (now College) of the Ozarks in 1962 where he taught, and curated the Ralph Foster collection of Ozarks artifacts and firearms. His works permeate print media of the region. He died in 1972, survived by wife, a son, and a daughter.

The tablecloth illustration is from See the Ozarks: The Touristic Image, an all color book of advertisements and souvenirs depicting early Ozarks tourism promotions and the image it created for the region. The book provides rich images and a unique aspect of history of Shepherd of the Hills Country, Eureka Springs, the Big Springs Country, Lake of the Ozarks, and more recent developments in this unique region – to answer the question: “What lured generations of travelers to the Ozarks?”

Lens & Pen Press is having a half-price sale for all titles. See the Ozarks: The Touristic Image, is now available on our website at www.dammingtheosage.com for $12.50 (half the original price of $24.95), postage paid. See the Ozarks: The Touristic Image is a  96-page all color, hardbound book.

 

May 062020
 

Real photo postcard of some faculty of the School of the Ozarks on a 1909 outing at Swan Creek.

Along with Harold Bell Wright’s moralistic Shepherd of the Hills influence, a component of the region’s image has been the School of the Ozarks, now called College of the Ozarks (“Hard Work U.”). It began as an effort by the Presbyterian Church to expand the limited educational opportunities for Ozark children in the early 1900s. A $20,000 brick building was built on a hill overlooking Swan Creek. A fire destroyed it in 1915. The school used the facilities of the Forsyth Public School for a time until a campus was started at Point Lookout in Hollister where the College is today.

The Christian ethical influence of Harold Bell Wright and College of the Ozarks is in sharp contrast with the more secular origins of another Ozark tourist draw, Lake of the Ozarks. Two of the three men most influential in the creation of Bagnell Dam and the Lake did time in federal penitentiaries.


Lens & Pen books are available for purchase on this website on amazon.com and at Barnes & Noble. See sample pages from our new book, Lover’s Leap Legends: From Sappho of Lesbos to Wah-Wah-Tee of Waco, on our website: hypercommon.com